How to Get Into Comic Books (13:40) | Patrick Willems
Consider your intent/commitment. Think about your favorite shows, movies, books, etc. Reading primarily for enjoyment or encyclopedic knowledge? Collecting? Have the time/resources to read 50 or 500 comics per character?
Don’t try to read everything at once. There’s too much. Forget about catching up, continuity, universes, etc. for now. Older comics can be an acquired taste for modern audiences, so they aren’t necessarily ideal starting points. Writers change often, characters get re-worked, and origins are re-told. Remember, there are many great characters, creators, publishers, etc. to explore.
Pick an interesting character/team and seek their most popular/acclaimed stories. Focus on self-contained, complete stories in one corner of the universe. There will be unexplained references/characters, just persevere or Wiki. Don’t let the tangled web of shared-universe comics overwhelm you. Think of it like solving a jigsaw puzzle one small piece at a time until you finally see the big picture.
Discover your preferences and let them guide you. Don’t get stuck preparing/over-analyzing, just start reading. Do you like/dislike old/new comics? Specific writers/genres? Cartoony/realistic art? Familiar/weird concepts? References/self-contained? All-ages/mature content? Follow these instincts. Didn’t understand a reference? Maybe read that next.
Acquire/Buy comics:
Digital: Marvel Unlimited ($10/mo or $70/yr for all but new releases), Comixology, e-library (free), webcomic (free)
Self-contained Ultimate universe where new readers can start with the very first issue and not miss anything. Hits on all major teenage Spider-Man story beats, friends, and villains. Considered one of the best modern Spider-Man runs of all time.
Short, beautiful, touching, heart-warming story about a young Peter Parker torn between two romantic interests and maturing emotionally. Only 6 issues = a low-commitment peek at the character for new readers.
JMS' run is well-regarded for making Peter Parker and "average guy" again, just trying to pay rent and survive adulthood. It's dark, funny, dramatic, well-paced, and introduces new status quo/mythos, even supernatural elements.
A fresh start for Peter Parker after Civil War. His memory has been reset and everything is new/different. He's back to his roots: struggling to pay rent, learning how the world works, and fighting his rogue gallery. Closest thing to a "reboot" Amazing Spider-Man has ever had = new reader friendly.
Peter Parker's back in a groove, he's leading the Avengers, has a new girlfriend, and landed a major career opportunity. This eventually sets up one of the coolest modern Spidey stories in Superior Spider-Man below.
How to Get Into Comic Books (13:40) | Patrick Willems
Consider your intent/commitment. Think about your favorite shows, movies, books, etc. Reading primarily for enjoyment or encyclopedic knowledge? Collecting? Have the time/resources to read 50 or 500 comics per character?
Don’t try to read everything at once. There’s too much. Forget about catching up, continuity, universes, etc. for now. Older comics can be an acquired taste for modern audiences, so they aren’t necessarily ideal starting points. Writers change often, characters get re-worked, and origins are re-told. Remember, there are many great characters, creators, publishers, etc. to explore.
Pick an interesting character/team and seek their most popular/acclaimed stories. Focus on self-contained, complete stories in one corner of the universe. There will be unexplained references/characters, just persevere or Wiki. Don’t let the tangled web of shared-universe comics overwhelm you. Think of it like solving a jigsaw puzzle one small piece at a time until you finally see the big picture.
Discover your preferences and let them guide you. Don’t get stuck preparing/over-analyzing, just start reading. Do you like/dislike old/new comics? Specific writers/genres? Cartoony/realistic art? Familiar/weird concepts? References/self-contained? All-ages/mature content? Follow these instincts. Didn’t understand a reference? Maybe read that next.
Acquire/Buy comics:
Digital: Marvel Unlimited ($10/mo or $70/yr for all but new releases), Comixology, e-library (free), webcomic (free)
How to Get Into Comic Books (13:40) | Patrick Willems
Consider your intent/commitment. Think about your favorite shows, movies, books, etc. Reading primarily for enjoyment or encyclopedic knowledge? Collecting? Have the time/resources to read 50 or 500 comics per character?
Don’t try to read everything at once. There’s too much. Forget about catching up, continuity, universes, etc. for now. Older comics can be an acquired taste for modern audiences, so they aren’t necessarily ideal starting points. Writers change often, characters get re-worked, and origins are re-told. Remember, there are many great characters, creators, publishers, etc. to explore.
Pick an interesting character/team and seek their most popular/acclaimed stories. Focus on self-contained, complete stories in one corner of the universe. There will be unexplained references/characters, just persevere or Wiki. Don’t let the tangled web of shared-universe comics overwhelm you. Think of it like solving a jigsaw puzzle one small piece at a time until you finally see the big picture.
Discover your preferences and let them guide you. Don’t get stuck preparing/over-analyzing, just start reading. Do you like/dislike old/new comics? Specific writers/genres? Cartoony/realistic art? Familiar/weird concepts? References/self-contained? All-ages/mature content? Follow these instincts. Didn’t understand a reference? Maybe read that next.
Acquire/Buy comics:
Digital: Marvel Unlimited ($10/mo or $70/yr for all but new releases), Comixology, e-library (free), webcomic (free)
How to Get Into Comic Books (13:40) | Patrick Willems
Consider your intent/commitment. Think about your favorite shows, movies, books, etc. Reading primarily for enjoyment or encyclopedic knowledge? Collecting? Have the time/resources to read 50 or 500 comics per character?
Don’t try to read everything at once. There’s too much. Forget about catching up, continuity, universes, etc. for now. Older comics can be an acquired taste for modern audiences, so they aren’t necessarily ideal starting points. Writers change often, characters get re-worked, and origins are re-told. Remember, there are many great characters, creators, publishers, etc. to explore.
Pick an interesting character/team and seek their most popular/acclaimed stories. Focus on self-contained, complete stories in one corner of the universe. There will be unexplained references/characters, just persevere or Wiki. Don’t let the tangled web of shared-universe comics overwhelm you. Think of it like solving a jigsaw puzzle one small piece at a time until you finally see the big picture.
Discover your preferences and let them guide you. Don’t get stuck preparing/over-analyzing, just start reading. Do you like/dislike old/new comics? Specific writers/genres? Cartoony/realistic art? Familiar/weird concepts? References/self-contained? All-ages/mature content? Follow these instincts. Didn’t understand a reference? Maybe read that next.
Acquire/Buy comics:
Digital: Marvel Unlimited ($10/mo or $70/yr for all but new releases), Comixology, e-library (free), webcomic (free)
How to Get Into Comic Books (13:40) | Patrick Willems
Consider your intent/commitment. Think about your favorite shows, movies, books, etc. Reading primarily for enjoyment or encyclopedic knowledge? Collecting? Have the time/resources to read 50 or 500 comics per character?
Don’t try to read everything at once. There’s too much. Forget about catching up, continuity, universes, etc. for now. Older comics can be an acquired taste for modern audiences, so they aren’t necessarily ideal starting points. Writers change often, characters get re-worked, and origins are re-told. Remember, there are many great characters, creators, publishers, etc. to explore.
Pick an interesting character/team and seek their most popular/acclaimed stories. Focus on self-contained, complete stories in one corner of the universe. There will be unexplained references/characters, just persevere or Wiki. Don’t let the tangled web of shared-universe comics overwhelm you. Think of it like solving a jigsaw puzzle one small piece at a time until you finally see the big picture.
Discover your preferences and let them guide you. Don’t get stuck preparing/over-analyzing, just start reading. Do you like/dislike old/new comics? Specific writers/genres? Cartoony/realistic art? Familiar/weird concepts? References/self-contained? All-ages/mature content? Follow these instincts. Didn’t understand a reference? Maybe read that next.
Acquire/Buy comics:
Digital: Marvel Unlimited ($10/mo or $70/yr for all but new releases), Comixology, e-library (free), webcomic (free)
"Reading up on lore" is essentially distilling older comics into plotpoints and character spec sheets. This is a good way to familiarize, but reading actual comics (not Wikis) from the 1960's—80's can be very daunting for new readers. I'd focus on more modern stories with dialog/style/setting/tone similar to what you've seen in the movies.
Requesting lore/character/danger-rich stories is a little vague. Can you provide examples from other media to give us a better reference of what that means to you?
Here's my usual copy/paste response to new reader threads:
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/veterans. Don’t try to read everything, else you'll be wading through mediocrity for too long. There are so many other great comics (and publishers) to explore!
First appearances/origins aren’t always good starting points. Creative teams change often and characters get re-worked e.g. never caring about Hawkeye until Fraction & Aja’s interpretation. Focus on well-received and relatively self-contained series. Pick an interesting character or team and seek their “greatest hits” stories.
Discover your preferences and let them inform your next comic selection. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
Marvel Unlimited for digital comics. instocktrades for physical retail (US).
Events/crossovers can be tedious. They sometimes intrude on your favorite character series and don’t feel as concise/well-planned. Generally, the best comics integrate these smoothly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to read them just to familiarize with major plot points.
Modern (2004-2015) Marvel events/crossovers (in rough reading order):
You're gonna have a bad time. There are more comics than you think and majority of them are not "good". You'll probably spend the rest of your life trying to read these and miss out on so many other great comics (not to mention everything else you could be doing in your free time).
> how to read from the beginning to now
Timely Publications' first issue is Marvel Comics #1 (1939). Good luck.
Here are some old starting points (first appearances):
Alternatively, here's my usual new reader copy/pasta:
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/fans. Don’t try to read everything, else you'll be wading through decades of mediocre comics for far too long. Remember, there are so many other great characters/stories/publishers to explore.
First appearances/origins are not always good starting points. Creative teams change often and characters get re-worked e.g. I never cared for Hawkeye until Fraction & Aja’s interpretation. Focus on well-received and relatively self-contained stories. Pick an interesting character or team and seek their “greatest hits” stories. You may encounter the occasional unexplained reference/character, but just try to ride along or Wiki if you must.
Marvel Unlimited / Comixology for digital. instocktrades for physical (US). ISBNS for price aggregate.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Discover your preferences and let them inform your next comic selection. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
Suggestions to improve the list are welcome.
by Tigertemprr 2018-03-19
How to Get Into Comic Books (13:40) | Patrick Willems
Consider your intent/commitment. Think about stories/characters from TV, movies, games, etc. that you already like. Do you seek “good” storytelling or encyclopedic Marvel knowledge? Are you here to collect or read? How much time/resources are available?
Don’t try to read everything—there’s too much. Forget about continuity, universes, and timelines; it's all very confusing, even to creators/fans. Older comics can be an acquired taste for modern audiences, so first appearances/early origins may not be the best starting points. Creative teams change often, characters get re-worked, and origins are re-told (e.g. I never cared for Hawkeye until Matt Fractions’ run).
Pick an interesting character/team and seek their “greatest hits”. Focus on well-received, relatively self-contained, and complete stories. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary). Remember, there are so many other great characters and publishers to explore, and not all comics are about superheroes.
Marvel Unlimited / Comixology for digital. instocktrades for print (US). ISBNS for price aggregate.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Discover your preferences and let them guide you. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, or creative team consistently produces content you like? Follow these instincts.
How to Get Into Comic Books (13:40) | Patrick Willems
Consider your intent/commitment. Think about your favorite stories/characters from TV, movies, games, books, etc. Do you seek quality storytelling or encyclopedic Marvel knowledge? Plan to collect? How much time/resources are available i.e. how deep do you want to dive?
Don’t try to read everything—there’s too much. Forget about “catching up”, continuity, universes, and timelines; it's all very confusing, even to creators/fans. Older comics can be an acquired taste for modern audiences, so first appearances/early origins may not be the best starting points. Creative teams change often, characters get re-worked, and origins are re-told (e.g. I never cared for Hawkeye until Matt Fractions’ run).
Pick an interesting character/team and seek their “greatest hits”. Don’t get stuck “preparing”, just start reading. Focus on well-received, relatively self-contained, and complete stories. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary). Remember, there are so many other great characters/creators/publishers to explore, and not all comics are about superheroes.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Discover your preferences and let them guide you. Do you like: old/new comics? Specific genres? Literary/natural narratives? Cartoony/realistic art? Familiar/weird concepts? References/self-contained? Social/political commentary? Family-friendly/explicit content? Optimism/pessimism? Have you noticed that a specific artist/writer consistently makes comics you like? Follow these instincts.
Suggestions to improve this guide are welcome.
by Tigertemprr 2017-09-09
Where to buy (US):
Digital: Marvel Unlimited ($10/month for nearly everything), Comixology, e-library e.g. Hoopla (free), webcomics (free)
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/fans. Don’t try to read everything, else you'll be wading through decades of mediocre comics for far too long. Remember, there are so many other great characters/stories/publishers to explore.
First appearances/origins are not always good starting points. Creative teams change often and characters get re-worked e.g. I never cared for Hawkeye until Fraction & Aja’s interpretation. Focus on well-received and relatively self-contained stories. Pick an interesting character or team and seek their “greatest hits” stories. You may encounter the occasional unexplained reference/character, but just try to ride along or Wiki if you must.
Marvel Unlimited / Comixology for digital. instocktrades for physical (US). ISBNS for price aggregate.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Discover your preferences and let them inform your next comic selection. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
Suggestions to improve the list are welcome.
by Tigertemprr 2017-08-19
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/fans. Don’t try to read everything, else you'll be wading through decades of mediocre comics for far too long. Remember, there are so many other great characters/stories/publishers to explore.
First appearances/origins are not always good starting points. Creative teams change often and characters get re-worked e.g. I never cared for Hawkeye until Fraction & Aja’s interpretation. Focus on well-received and relatively self-contained stories. Pick an interesting character/team and seek their “greatest hits” stories. You may encounter the occasional unexplained reference/character, just try to ride along.
Marvel Unlimited / Comixology for digital. instocktrades for physical (US). ISBNS for price aggregate.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Discover your preferences and let them inform your next comic selection. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
Suggestions to improve the list are welcome.
by Tigertemprr 2017-08-19
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/fans. The best way to jump in is to just start reading.
How much time do you have for comics? The answer determines how extensive recommendations are. Regardless, don’t try to read everything. First appearances & early origins are not always good starting points—older comics can be an acquired taste for modern audiences. Remember, there are so many other great characters/stories/publishers to explore (and not all comics are about superheroes).
Think about your favorite stories from other media. What you might like to read in a comic? Are you more interested in good storytelling or becoming a Marvel knowledge nerd?
Creative teams change often and characters get re-worked e.g. I never cared for Hawkeye until Matt Fraction’s run. Focus on well-received and relatively self-contained stories. Pick an interesting character/team and seek their “greatest hits”. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary).
Marvel Unlimited / Comixology for digital. instocktrades for physical (US). ISBNS for price aggregate.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Discover your preferences and let them inform your next comic selection. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
Suggestions to improve the list are welcome.
by Tigertemprr 2017-08-19
How to Get Into Comic Books (13:40) by Patrick Willems
Consider your intent/commitment. Think about stories/characters from TV, movies, games, etc. that you already like. Do you seek “good” storytelling or encyclopedic Marvel knowledge? Are you here to collect or read? How much time/resources are available?
Don’t try to read everything—there’s too much. Forget about continuity, universes, and timelines; it's all very confusing, even to creators/fans. Older comics can be an acquired taste for modern audiences, so first appearances/early origins may not be the best starting points. Creative teams change often, characters get re-worked, and origins are re-told (e.g. I never cared for Hawkeye until Matt Fractions’ run).
Pick an interesting character/team and seek their “greatest hits”. Focus on well-received, relatively self-contained, and complete stories. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary). Remember, there are so many other great characters and publishers to explore, and not all comics are about superheroes.
Marvel Unlimited / Comixology for digital. instocktrades for physical (US). ISBNS for price aggregate.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Discover your preferences and let them guide you. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, or creative team consistently produces content you like? Follow these instincts.
Suggestions to improve the guide are welcome.
by Tigertemprr 2017-08-19
How to Get Into Comic Books (13:40) by Patrick Willems
Consider your intent/commitment. Think about stories/characters from TV, movies, games, etc. that you already like. Do you seek “good” storytelling or encyclopedic Marvel knowledge? Are you here to collect or read? How much time/resources are available?
Don’t try to read everything—there’s too much. Forget about continuity, universes, and timelines; it's all very confusing, even to creators/fans. Older comics can be an acquired taste for modern audiences, so first appearances/early origins may not be the best starting points. Creative teams change often, characters get re-worked, and origins are re-told (e.g. I never cared for Hawkeye until Matt Fractions’ run).
Pick an interesting character/team and seek their “greatest hits”. Focus on well-received, relatively self-contained, and complete stories. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary). Remember, there are so many other great characters and publishers to explore, and not all comics are about superheroes.
Marvel Unlimited / Comixology for digital. instocktrades for physical (US). ISBNS for price aggregate.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Discover your preferences and let them guide you. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, or creative team consistently produces content you like? Follow these instincts.
Suggestions to improve the guide are welcome.
by Tigertemprr 2017-08-19
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/fans.
First appearances & early origins are not always good starting points—older comics can be an acquired taste for modern audiences. Focus on well-received and relatively self-contained stories. Pick an interesting character/team and seek their “greatest hits”. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary).
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/fans. Don’t try to read everything, else you'll be wading through decades of mediocre comics for too long. Remember, there are SO MANY other characters, series, and publishers to explore.
First appearances/origins aren’t always good starting points. Creative teams change often and characters get re-worked e.g. never caring about Hawkeye until Fraction & Aja’s interpretation. Focus on well-received and relatively self-contained series. Pick an interesting character or team and seek their “greatest hits” stories. You may still encounter the occasional unexplained reference/character, but it’s best to just ride along or just Wiki if you must.
Marvel Unlimited / Comixology for digital. instocktrades for physical (US).
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Discover your preferences and let them inform your next comic selection. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
by Tigertemprr 2017-08-19
Please use the subreddit and Google search bars. This question gets asked a lot and the answers don't change much.
Anyway, here is my usual copy/paste response:
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/fans. Don’t try to read everything, else you'll be wading through mediocrity for too long. There are so many other great comics (and publishers) to explore!
First appearances/origins aren’t always good starting points. Creative teams change often and characters get re-worked e.g. never caring about Hawkeye until Fraction & Aja’s interpretation. Focus on well-received and relatively self-contained series. Pick an interesting character or team and seek their “greatest hits” stories.
Marvel Unlimited for digital comics. instocktrades for physical retail (US).
Events/crossovers can be tedious. They sometimes intrude on your favorite character series and don’t feel as concise/well-planned. Generally, the best comics integrate these smoothly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to read them just to familiarize with major plot points.
Discover your preferences and let them inform your next comic selection. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
Introduction to Comics
How to Get Into Comic Books (13:40) | Patrick Willems
Consider your intent/commitment. Think about your favorite shows, movies, books, etc. Reading primarily for enjoyment or encyclopedic knowledge? Collecting? Have the time/resources to read 50 or 500 comics per character?
Don’t try to read everything at once. There’s too much. Forget about catching up, continuity, universes, etc. for now. Older comics can be an acquired taste for modern audiences, so they aren’t necessarily ideal starting points. Writers change often, characters get re-worked, and origins are re-told. Remember, there are many great characters, creators, publishers, etc. to explore.
Pick an interesting character/team and seek their most popular/acclaimed stories. Focus on self-contained, complete stories in one corner of the universe. There will be unexplained references/characters, just persevere or Wiki. Don’t let the tangled web of shared-universe comics overwhelm you. Think of it like solving a jigsaw puzzle one small piece at a time until you finally see the big picture.
Discover your preferences and let them guide you. Don’t get stuck preparing/over-analyzing, just start reading. Do you like/dislike old/new comics? Specific writers/genres? Cartoony/realistic art? Familiar/weird concepts? References/self-contained? All-ages/mature content? Follow these instincts. Didn’t understand a reference? Maybe read that next.
Acquire/Buy comics:
Marvel
DC
Or skip to the 2016 re-launch DC Universe: Rebirth event and then any Rebirth series #1.
Other
Spider-Man
Ultimate Spider-Man | #1-160 | 2000-2008 | Bendis
Spider-Man: Blue | #1-6 | 2002 | Loeb
Amazing Spider-Man | #30-57, 500-545 | 2001-2007 | Straczynski
Amazing Spider-Man (Brand New Day) | #546-647 | 2008-2010 | Slott, et al.
Amazing Spider-Man (Big Time) | #648-700.5 | 2010-2013 | Slott, et al.
Superior Spider-Man | #1-33 | 2013-2014 | Slott, et al.
Marvel
DC
Or skip to the 2016 re-launch DC Universe: Rebirth event and then any Rebirth series #1.
Other
Introduction to Comics
How to Get Into Comic Books (13:40) | Patrick Willems
Consider your intent/commitment. Think about your favorite shows, movies, books, etc. Reading primarily for enjoyment or encyclopedic knowledge? Collecting? Have the time/resources to read 50 or 500 comics per character?
Don’t try to read everything at once. There’s too much. Forget about catching up, continuity, universes, etc. for now. Older comics can be an acquired taste for modern audiences, so they aren’t necessarily ideal starting points. Writers change often, characters get re-worked, and origins are re-told. Remember, there are many great characters, creators, publishers, etc. to explore.
Pick an interesting character/team and seek their most popular/acclaimed stories. Focus on self-contained, complete stories in one corner of the universe. There will be unexplained references/characters, just persevere or Wiki. Don’t let the tangled web of shared-universe comics overwhelm you. Think of it like solving a jigsaw puzzle one small piece at a time until you finally see the big picture.
Discover your preferences and let them guide you. Don’t get stuck preparing/over-analyzing, just start reading. Do you like/dislike old/new comics? Specific writers/genres? Cartoony/realistic art? Familiar/weird concepts? References/self-contained? All-ages/mature content? Follow these instincts. Didn’t understand a reference? Maybe read that next.
Acquire/Buy comics:
Marvel
DC
Or skip to the 2016 re-launch DC Universe: Rebirth event and then any Rebirth series #1.
Other
Introduction to Comics
How to Get Into Comic Books (13:40) | Patrick Willems
Consider your intent/commitment. Think about your favorite shows, movies, books, etc. Reading primarily for enjoyment or encyclopedic knowledge? Collecting? Have the time/resources to read 50 or 500 comics per character?
Don’t try to read everything at once. There’s too much. Forget about catching up, continuity, universes, etc. for now. Older comics can be an acquired taste for modern audiences, so they aren’t necessarily ideal starting points. Writers change often, characters get re-worked, and origins are re-told. Remember, there are many great characters, creators, publishers, etc. to explore.
Pick an interesting character/team and seek their most popular/acclaimed stories. Focus on self-contained, complete stories in one corner of the universe. There will be unexplained references/characters, just persevere or Wiki. Don’t let the tangled web of shared-universe comics overwhelm you. Think of it like solving a jigsaw puzzle one small piece at a time until you finally see the big picture.
Discover your preferences and let them guide you. Don’t get stuck preparing/over-analyzing, just start reading. Do you like/dislike old/new comics? Specific writers/genres? Cartoony/realistic art? Familiar/weird concepts? References/self-contained? All-ages/mature content? Follow these instincts. Didn’t understand a reference? Maybe read that next.
Acquire/Buy comics:
Marvel
DC
Or skip to the 2016 re-launch DC Universe: Rebirth event and then any Rebirth series #1.
Other
Introduction to Comics
How to Get Into Comic Books (13:40) | Patrick Willems
Consider your intent/commitment. Think about your favorite shows, movies, books, etc. Reading primarily for enjoyment or encyclopedic knowledge? Collecting? Have the time/resources to read 50 or 500 comics per character?
Don’t try to read everything at once. There’s too much. Forget about catching up, continuity, universes, etc. for now. Older comics can be an acquired taste for modern audiences, so they aren’t necessarily ideal starting points. Writers change often, characters get re-worked, and origins are re-told. Remember, there are many great characters, creators, publishers, etc. to explore.
Pick an interesting character/team and seek their most popular/acclaimed stories. Focus on self-contained, complete stories in one corner of the universe. There will be unexplained references/characters, just persevere or Wiki. Don’t let the tangled web of shared-universe comics overwhelm you. Think of it like solving a jigsaw puzzle one small piece at a time until you finally see the big picture.
Discover your preferences and let them guide you. Don’t get stuck preparing/over-analyzing, just start reading. Do you like/dislike old/new comics? Specific writers/genres? Cartoony/realistic art? Familiar/weird concepts? References/self-contained? All-ages/mature content? Follow these instincts. Didn’t understand a reference? Maybe read that next.
Acquire/Buy comics:
Marvel
DC
Or skip to the 2016 re-launch DC Universe: Rebirth event and then any Rebirth series #1.
Other
Introduction to Comics
How to Get Into Comic Books (13:40) | Patrick Willems
Consider your intent/commitment. Think about your favorite shows, movies, books, etc. Reading primarily for enjoyment or encyclopedic knowledge? Collecting? Have the time/resources to read 50 or 500 comics per character?
Don’t try to read everything at once. There’s too much. Forget about catching up, continuity, universes, etc. for now. Older comics can be an acquired taste for modern audiences, so they aren’t necessarily ideal starting points. Writers change often, characters get re-worked, and origins are re-told. Remember, there are many great characters, creators, publishers, etc. to explore.
Pick an interesting character/team and seek their most popular/acclaimed stories. Focus on self-contained, complete stories in one corner of the universe. There will be unexplained references/characters, just persevere or Wiki. Don’t let the tangled web of shared-universe comics overwhelm you. Think of it like solving a jigsaw puzzle one small piece at a time until you finally see the big picture.
Discover your preferences and let them guide you. Don’t get stuck preparing/over-analyzing, just start reading. Do you like/dislike old/new comics? Specific writers/genres? Cartoony/realistic art? Familiar/weird concepts? References/self-contained? All-ages/mature content? Follow these instincts. Didn’t understand a reference? Maybe read that next.
Acquire/Buy comics:
Marvel
DC
Or skip to the 2016 re-launch DC Universe: Rebirth event and then any Rebirth series #1.
Other
"Reading up on lore" is essentially distilling older comics into plotpoints and character spec sheets. This is a good way to familiarize, but reading actual comics (not Wikis) from the 1960's—80's can be very daunting for new readers. I'd focus on more modern stories with dialog/style/setting/tone similar to what you've seen in the movies.
Requesting lore/character/danger-rich stories is a little vague. Can you provide examples from other media to give us a better reference of what that means to you?
Here's my usual copy/paste response to new reader threads:
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/veterans. Don’t try to read everything, else you'll be wading through mediocrity for too long. There are so many other great comics (and publishers) to explore!
First appearances/origins aren’t always good starting points. Creative teams change often and characters get re-worked e.g. never caring about Hawkeye until Fraction & Aja’s interpretation. Focus on well-received and relatively self-contained series. Pick an interesting character or team and seek their “greatest hits” stories.
Discover your preferences and let them inform your next comic selection. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
Marvel Unlimited for digital comics. instocktrades for physical retail (US).
Modern (2000's+) Marvel characters/teams:
Events/crossovers can be tedious. They sometimes intrude on your favorite character series and don’t feel as concise/well-planned. Generally, the best comics integrate these smoothly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to read them just to familiarize with major plot points.
Modern (2004-2015) Marvel events/crossovers (in rough reading order):
> I want to read every single issue
You're gonna have a bad time. There are more comics than you think and majority of them are not "good". You'll probably spend the rest of your life trying to read these and miss out on so many other great comics (not to mention everything else you could be doing in your free time).
> how to read from the beginning to now
Timely Publications' first issue is Marvel Comics #1 (1939). Good luck.
Here are some old starting points (first appearances):
Personally, I'd at least skip to Frank Miller's Daredevil (1979) and Chris Claremont's Uncanny X-Men (1975).
Kurt Busiek's Marvels (1994) is an examination of the Marvel universe from 1939-1974 by an everyday news photographer.
Alternatively, here's my usual new reader copy/pasta:
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/fans. Don’t try to read everything, else you'll be wading through decades of mediocre comics for far too long. Remember, there are so many other great characters/stories/publishers to explore.
First appearances/origins are not always good starting points. Creative teams change often and characters get re-worked e.g. I never cared for Hawkeye until Fraction & Aja’s interpretation. Focus on well-received and relatively self-contained stories. Pick an interesting character or team and seek their “greatest hits” stories. You may encounter the occasional unexplained reference/character, but just try to ride along or Wiki if you must.
Marvel Unlimited / Comixology for digital. instocktrades for physical (US). ISBNS for price aggregate.
Modern Marvel characters/teams:
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Modern Marvel events/crossovers:
Discover your preferences and let them inform your next comic selection. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
Suggestions to improve the list are welcome.
How to Get Into Comic Books (13:40) | Patrick Willems
Consider your intent/commitment. Think about stories/characters from TV, movies, games, etc. that you already like. Do you seek “good” storytelling or encyclopedic Marvel knowledge? Are you here to collect or read? How much time/resources are available?
Don’t try to read everything—there’s too much. Forget about continuity, universes, and timelines; it's all very confusing, even to creators/fans. Older comics can be an acquired taste for modern audiences, so first appearances/early origins may not be the best starting points. Creative teams change often, characters get re-worked, and origins are re-told (e.g. I never cared for Hawkeye until Matt Fractions’ run).
Pick an interesting character/team and seek their “greatest hits”. Focus on well-received, relatively self-contained, and complete stories. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary). Remember, there are so many other great characters and publishers to explore, and not all comics are about superheroes.
Marvel Unlimited / Comixology for digital. instocktrades for print (US). ISBNS for price aggregate.
Recommendations:
Modern Marvel characters/teams:
Check out the /r/Marvel sidebar for more.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Modern Marvel events/crossovers:
Discover your preferences and let them guide you. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, or creative team consistently produces content you like? Follow these instincts.
Suggestions to improve this guide are welcome.
Modern Marvel characters/teams:
/r/Marvel sidebar for more info.
Modern Marvel events/crossovers:
How to Get Into Comic Books (13:40) | Patrick Willems
Consider your intent/commitment. Think about your favorite stories/characters from TV, movies, games, books, etc. Do you seek quality storytelling or encyclopedic Marvel knowledge? Plan to collect? How much time/resources are available i.e. how deep do you want to dive?
Don’t try to read everything—there’s too much. Forget about “catching up”, continuity, universes, and timelines; it's all very confusing, even to creators/fans. Older comics can be an acquired taste for modern audiences, so first appearances/early origins may not be the best starting points. Creative teams change often, characters get re-worked, and origins are re-told (e.g. I never cared for Hawkeye until Matt Fractions’ run).
Pick an interesting character/team and seek their “greatest hits”. Don’t get stuck “preparing”, just start reading. Focus on well-received, relatively self-contained, and complete stories. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary). Remember, there are so many other great characters/creators/publishers to explore, and not all comics are about superheroes.
Where to buy (US):
X-Men
Modern Marvel characters/teams:
/r/Marvel sidebar for more info.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Modern Marvel events/crossovers:
Discover your preferences and let them guide you. Do you like: old/new comics? Specific genres? Literary/natural narratives? Cartoony/realistic art? Familiar/weird concepts? References/self-contained? Social/political commentary? Family-friendly/explicit content? Optimism/pessimism? Have you noticed that a specific artist/writer consistently makes comics you like? Follow these instincts.
Suggestions to improve this guide are welcome.
Where to buy (US):
You requested recommendations for specific characters in another comment:
Captain America
Spider-Man
Wolverine
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/fans. Don’t try to read everything, else you'll be wading through decades of mediocre comics for far too long. Remember, there are so many other great characters/stories/publishers to explore.
First appearances/origins are not always good starting points. Creative teams change often and characters get re-worked e.g. I never cared for Hawkeye until Fraction & Aja’s interpretation. Focus on well-received and relatively self-contained stories. Pick an interesting character or team and seek their “greatest hits” stories. You may encounter the occasional unexplained reference/character, but just try to ride along or Wiki if you must.
Marvel Unlimited / Comixology for digital. instocktrades for physical (US). ISBNS for price aggregate.
Modern Marvel characters/teams:
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Modern Marvel events/crossovers:
Discover your preferences and let them inform your next comic selection. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
Suggestions to improve the list are welcome.
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/fans. Don’t try to read everything, else you'll be wading through decades of mediocre comics for far too long. Remember, there are so many other great characters/stories/publishers to explore.
First appearances/origins are not always good starting points. Creative teams change often and characters get re-worked e.g. I never cared for Hawkeye until Fraction & Aja’s interpretation. Focus on well-received and relatively self-contained stories. Pick an interesting character/team and seek their “greatest hits” stories. You may encounter the occasional unexplained reference/character, just try to ride along.
Marvel Unlimited / Comixology for digital. instocktrades for physical (US). ISBNS for price aggregate.
Modern Marvel characters/teams:
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Modern Marvel events/crossovers:
Discover your preferences and let them inform your next comic selection. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
Suggestions to improve the list are welcome.
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/fans. The best way to jump in is to just start reading.
How much time do you have for comics? The answer determines how extensive recommendations are. Regardless, don’t try to read everything. First appearances & early origins are not always good starting points—older comics can be an acquired taste for modern audiences. Remember, there are so many other great characters/stories/publishers to explore (and not all comics are about superheroes).
Think about your favorite stories from other media. What you might like to read in a comic? Are you more interested in good storytelling or becoming a Marvel knowledge nerd?
Creative teams change often and characters get re-worked e.g. I never cared for Hawkeye until Matt Fraction’s run. Focus on well-received and relatively self-contained stories. Pick an interesting character/team and seek their “greatest hits”. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary).
Marvel Unlimited / Comixology for digital. instocktrades for physical (US). ISBNS for price aggregate.
Modern Marvel characters/teams:
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Modern Marvel events/crossovers:
Discover your preferences and let them inform your next comic selection. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
Suggestions to improve the list are welcome.
How to Get Into Comic Books (13:40) by Patrick Willems
Consider your intent/commitment. Think about stories/characters from TV, movies, games, etc. that you already like. Do you seek “good” storytelling or encyclopedic Marvel knowledge? Are you here to collect or read? How much time/resources are available?
Don’t try to read everything—there’s too much. Forget about continuity, universes, and timelines; it's all very confusing, even to creators/fans. Older comics can be an acquired taste for modern audiences, so first appearances/early origins may not be the best starting points. Creative teams change often, characters get re-worked, and origins are re-told (e.g. I never cared for Hawkeye until Matt Fractions’ run).
Pick an interesting character/team and seek their “greatest hits”. Focus on well-received, relatively self-contained, and complete stories. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary). Remember, there are so many other great characters and publishers to explore, and not all comics are about superheroes.
Marvel Unlimited / Comixology for digital. instocktrades for physical (US). ISBNS for price aggregate.
Recommendations:
Modern Marvel characters/teams:
Check out the /r/Marvel sidebar for more.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Modern Marvel events/crossovers:
Discover your preferences and let them guide you. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, or creative team consistently produces content you like? Follow these instincts.
Suggestions to improve the guide are welcome.
How to Get Into Comic Books (13:40) by Patrick Willems
Consider your intent/commitment. Think about stories/characters from TV, movies, games, etc. that you already like. Do you seek “good” storytelling or encyclopedic Marvel knowledge? Are you here to collect or read? How much time/resources are available?
Don’t try to read everything—there’s too much. Forget about continuity, universes, and timelines; it's all very confusing, even to creators/fans. Older comics can be an acquired taste for modern audiences, so first appearances/early origins may not be the best starting points. Creative teams change often, characters get re-worked, and origins are re-told (e.g. I never cared for Hawkeye until Matt Fractions’ run).
Pick an interesting character/team and seek their “greatest hits”. Focus on well-received, relatively self-contained, and complete stories. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary). Remember, there are so many other great characters and publishers to explore, and not all comics are about superheroes.
Marvel Unlimited / Comixology for digital. instocktrades for physical (US). ISBNS for price aggregate.
Recommendations:
Modern Marvel characters/teams:
Check out the /r/Marvel sidebar for more.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Modern Marvel events/crossovers:
Discover your preferences and let them guide you. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, or creative team consistently produces content you like? Follow these instincts.
Suggestions to improve the guide are welcome.
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/fans.
First appearances & early origins are not always good starting points—older comics can be an acquired taste for modern audiences. Focus on well-received and relatively self-contained stories. Pick an interesting character/team and seek their “greatest hits”. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary).
Modern Marvel characters/teams:
Modern Marvel events/crossovers:
Modern DC characters/teams:
Modern DC events/crossovers:
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/fans. Don’t try to read everything, else you'll be wading through decades of mediocre comics for too long. Remember, there are SO MANY other characters, series, and publishers to explore.
First appearances/origins aren’t always good starting points. Creative teams change often and characters get re-worked e.g. never caring about Hawkeye until Fraction & Aja’s interpretation. Focus on well-received and relatively self-contained series. Pick an interesting character or team and seek their “greatest hits” stories. You may still encounter the occasional unexplained reference/character, but it’s best to just ride along or just Wiki if you must.
Marvel Unlimited / Comixology for digital. instocktrades for physical (US).
Modern Marvel characters/teams:
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Modern Marvel events/crossovers:
Discover your preferences and let them inform your next comic selection. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
Please use the subreddit and Google search bars. This question gets asked a lot and the answers don't change much.
Anyway, here is my usual copy/paste response:
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/fans. Don’t try to read everything, else you'll be wading through mediocrity for too long. There are so many other great comics (and publishers) to explore!
First appearances/origins aren’t always good starting points. Creative teams change often and characters get re-worked e.g. never caring about Hawkeye until Fraction & Aja’s interpretation. Focus on well-received and relatively self-contained series. Pick an interesting character or team and seek their “greatest hits” stories.
Marvel Unlimited for digital comics. instocktrades for physical retail (US).
Modern Marvel characters/teams:
Events/crossovers can be tedious. They sometimes intrude on your favorite character series and don’t feel as concise/well-planned. Generally, the best comics integrate these smoothly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to read them just to familiarize with major plot points.
Modern Marvel events/crossovers:
Discover your preferences and let them inform your next comic selection. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.