The reason why a lot of "getting into comics" threads are answered with lists is because the answers to questions like "how does continuity work?" and "why is this a good starting point?" and "what's the difference between relaunches and reboots?" usually create more confusion and more questions. Generally, that kind of "meta" information about comics is not really important for new readers. You're basically asking people to explain the comic-equivalent of the "history of modern film". That's not an easy question to answer, especially in a 10k-character-limited Reddit comment, nor would I recommend focusing on that before even having watched any movies (read any comics). When you watched Batman The Animated Series for the first time, I'm willing to bet you didn't read some encyclopedia or poll the internet about how TV and DC works. You probably just flipped the channel and enjoyed. There shouldn't be more to getting into comics than "Here, read this".
If none of that means anything to you then I'll just address the OP directly:
Comics will be different than TV/movies.
Reading by "era" (e.g. pre-Crisis, post-Crisis, New 52, Rebirth, etc.) is only one method of approaching comics. You can also just pick a character and following their timeline. You can forget about chronology altogether and just read popular/acclaimed stuff based on your mood (what I recommend in the long-run).
The New 52 (2011) is considered a "reboot" in that it completely wipes all continuity clean.
Rebirth (2016) is considered a "relaunch" because continuity remains the same, but there were new writers, story directions, renumbers, etc.
Here are some "modern essential" Flash recommendations (starting with Wally West):
The Flash (Rebirth) | #1-ongoing | 2016-2018 | Williamson
by Tigertemprr 2018-03-19
How to Get Into Comic Books (13:40) by Patrick Willems
Consider your intent/commitment. Think about stories/characters from TV, movies, games, etc. that you already like. Do you seek “good” storytelling or encyclopedic DC knowledge? Are you here to collect or read? How much time/resources are available?
Don’t try to read everything—there’s too much. Forget about continuity, universes, and timelines; it's all very confusing, even to creators/fans. Older comics can be an acquired taste for modern audiences, so first appearances/early origins may not be the best starting points. Creative teams change often, characters get re-worked, and origins are re-told (e.g. I never cared for Aquaman until Geoff Johns’ run).
Pick an interesting character/team and seek their “greatest hits”. Focus on well-received, relatively self-contained, and complete stories. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary). Remember, there are so many other great characters and publishers to explore, and not all comics are about superheroes.
Comixology for digital. instocktrades for physical (US). ISBNS for price aggregate.
Alternatively, you can skip directly to the new Rebirth re-launch by reading the Rebirth event (2016) and any Rebirth #1. Check out the /r/DCcomics sidebar for more info.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers already well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Discover your preferences and let them guide you. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, or creative team consistently produces content you like? Follow these instincts.
Consider your intent/commitment. Think about stories/characters from TV, movies, games, etc. that you already like. Do you seek “good” storytelling or encyclopedic Marvel knowledge? Are you here to collect or read? How much time/resources are available?
Don’t try to read everything—there’s too much. Older comics can be an acquired taste for modern audiences, so first appearances/early origins may not be the best starting points. Creative teams change often, characters get re-worked, origins are re-told (e.g. I never cared for Aquaman until Geoff Johns’ run).
Forget about continuity, universes, and timelines; it's all very confusing, even to creators/fans.
Pick an interesting character/team and seek their “greatest hits”. Focus on well-received, relatively self-contained, and complete stories. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary).
Remember, there are so many other great comics, characters, stories, and publishers to explore. There is much more variety now and not all comics are about superheroes.
Comixology for digital. instocktrades for physical (US). ISBNS for price aggregate.
Alternatively, you can skip directly to the newest series by reading the Rebirth event (2016) and then any series’ Rebirth #1. Check out the /r/DCcomics sidebar for more info.
Events/crossovers can be fun and/or tedious. However, they are most appreciated by readers already well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Discover your preferences and let them guide you. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
If you're interested in any characters in particular I can post more recommendations.
by Tigertemprr 2017-08-19
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/fans. Don’t try to read everything, else you'll be wading through decades of mediocre comics for far too long. Remember, there are so many other great characters/stories/publishers to explore.
First appearances/origins are not always good starting points. Creative teams change often and characters get re-worked e.g. I never cared for Hawkeye until Fraction & Aja’s interpretation. Focus on well-received and relatively self-contained stories. Pick an interesting character or team and seek their “greatest hits” stories. You may encounter the occasional unexplained reference/character, but just try to ride along or Wiki if you must.
Alternatively, read the Rebirth event (2016) and then any Rebirth #1.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Discover your preferences and let them inform your next comic selection. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
by Tigertemprr 2017-08-19
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/fans. Don’t try to read everything, else you'll be wading through decades of mediocre comics for far too long. Remember, there are so many other great characters/stories/publishers to explore.
First appearances/origins are not always good starting points. Creative teams change often and characters get re-worked e.g. I never cared for Hawkeye until Fraction & Aja’s interpretation. Focus on well-received and relatively self-contained stories. Pick an interesting character or team and seek their “greatest hits” stories. You may encounter the occasional unexplained reference/character, but just try to ride along or Wiki if you must.
Comixology for digital. instocktrades for physical (US). ISBNS for price aggregate.
Alternatively, read the Rebirth event (2016) and then any Rebirth #1.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Discover your preferences and let them inform your next comic selection. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
Suggestions to improve this list are welcome.
by Tigertemprr 2017-08-19
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/fans. Don’t try to read everything, else you'll be wading through decades of mediocre comics for far too long. Remember, there are so many other great characters/stories/publishers to explore.
First appearances/origins are not always good starting points. Creative teams change often and characters get re-worked e.g. I never cared for Hawkeye until Fraction & Aja’s interpretation. Focus on well-received and relatively self-contained stories. Pick an interesting character or team and seek their “greatest hits” stories. You may encounter the occasional unexplained reference/character, but just try to ride along or Wiki if you must.
Alternatively, try the Rebirth event (2016) and then choose a Rebirth title beginning with #1.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Discover your preferences and let them inform your next comic selection. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
by Tigertemprr 2017-08-19
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/fans.
First appearances & early origins are not always good starting points—older comics can be an acquired taste for modern audiences. Focus on well-received and relatively self-contained stories. Pick an interesting character/team and seek their “greatest hits”. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary).
How to Get Into Comic Books (13:40) by Patrick Willems
Consider your intent/commitment. Think about stories/characters from TV, movies, games, etc. that you already like. Do you seek “good” storytelling or encyclopedic DC knowledge? Are you here to collect or read? How much time/resources are available?
Don’t try to read everything—there’s too much. Forget about continuity, universes, and timelines; it's all very confusing, even to creators/fans. Older comics can be an acquired taste for modern audiences, so first appearances/early origins may not be the best starting points. Creative teams change often, characters get re-worked, and origins are re-told (e.g. I never cared for Aquaman until Geoff Johns’ run).
Pick an interesting character/team and seek their “greatest hits”. Focus on well-received, relatively self-contained, and complete stories. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary). Remember, there are so many other great characters and publishers to explore, and not all comics are about superheroes.
Comixology for digital. instocktrades for physical (US). ISBNS for price aggregate.
Alternatively, you can skip directly to the newest series by reading the Rebirth event (2016) and then any series’ Rebirth #1. Check out the /r/DCcomics sidebar for more info.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers already well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Discover your preferences and let them guide you. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, or creative team consistently produces content you like? Follow these instincts.
Suggestions to improve the guide are welcome.
by Tigertemprr 2017-08-19
The Green Lantern movie isn't that great from a film-making perspective, but if you're a fan of the character and just want to watch something for dumb fun, then, sure, give it a shot.
Geoff Johns' Green Lantern (below) run has good Red Lanterns stuff (and much more).
How to Get Into Comic Books (13:40) by Patrick Willems
Consider your intent/commitment. Think about stories/characters from TV, movies, games, etc. that you already like. Do you seek “good” storytelling or encyclopedic DC knowledge? Are you here to collect or read? How much time/resources are available?
Don’t try to read everything—there’s too much. Forget about continuity, universes, and timelines; it's all very confusing, even to creators/fans. Older comics can be an acquired taste for modern audiences, so first appearances/early origins may not be the best starting points. Creative teams change often, characters get re-worked, and origins are re-told (e.g. I never cared for Aquaman until Geoff Johns’ run).
Pick an interesting character/team and seek their “greatest hits”. Focus on well-received, relatively self-contained, and complete stories. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary). Remember, there are so many other great characters and publishers to explore, and not all comics are about superheroes.
Comixology for digital. instocktrades for physical (US). ISBNS for price aggregate.
Alternatively, you can skip directly to the new Rebirth re-launch by reading the Rebirth event (2016) and any Rebirth #1. Check out the /r/DCcomics sidebar for more info.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers already well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Discover your preferences and let them guide you. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, or creative team consistently produces content you like? Follow these instincts.
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/fans.
How much time do you have for comics? The answer determines how expansive recommendations are. Regardless, don’t try to read everything. First appearances & early origins are not always good starting points—older comics can be an acquired taste for modern audiences. Remember, there are so many other great characters/stories/publishers to explore (and not all comics are about superheroes).
Think about your favorite stories from other media. What you might like to read in a comic? Are you more interested in good storytelling or becoming a DC knowledge nerd?
Creative teams change often and characters get re-worked e.g. I never cared for Aquaman until Geoff Johns’ run. Focus on well-received and relatively self-contained stories. Pick an interesting character/team and seek their “greatest hits”. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary).
Comixology for digital. instocktrades for physical (US). ISBNS for price aggregate.
Alternatively, if you want to skip to the newest stuff, read the Rebirth event (2016) and then any Rebirth #1.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Discover your preferences and let them inform your next comic selection. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Barry Allen started his carrier in the comics in 1959 until 1985 and then he was absent on from 1986 to 2009. His modern-age series called The Flash: Rebirth when he returned. After that 2 trades came (In comics, a trade paperback (often shortened to trade) is a collection of stories originally published in comic books, reprinted in book format, usually capturing one story arc from a single title or a series of stories with a connected story arc or common theme.) called The Flash Vol. 1: The Dastardly Death of the Rogues and The Flash Vol. 2: The Road to Flashpoint .
After these, a HUGE event came that changed everything called Flashpont that "reset" the continuity and started the New 52 age and it's first story-line called The Flash, Vol. 1: Move Forward . This series (New52) lasted till Spring 2016 and collected 9 trades (the show you watched is based on this era). In early 2016 Rebirth came (only name change, everything is continued from New52) but a huge exception: a long missing character came back to the grand scene who was missing for so long.
So if you are interested in Barry (overall) start with The Flash: Rebirth and move onward to Flashpont , but you can just start with The Flash, Vol. 1: Move Forward and read everything up to today.
(there is an omnibus on sale at the moment (a collection of multiple trades) called The Flash By Francis Manapul and Brian Buccellato Omnibus that collects the first 4 trades of the New 52 era.
Tv show The Flash with Barry Allen? If so, then
Barry Allen started his carrier in the comics in 1959 until 1985 and then he was absent on until 2009. His modern-age series called The Flash: Rebirth when he returned. After that 2 trades came (In comics, a trade paperback (often shortened to trade) is a collection of stories originally published in comic books, reprinted in book format, usually capturing one story arc from a single title or a series of stories with a connected story arc or common theme.) called The Flash Vol. 1: The Dastardly Death of the Rogues and The Flash Vol. 2: The Road to Flashpoint .
After these, a HUGE event came that changed everything called Flashpont that "reset" the continuity and started the New 52 age and it's first story-line called The Flash, Vol. 1: Move Forward . This series (New52) lasted till Spring 2016 and collected 9 trades (the show you watched is based on this era). In early 2016 DC Rebirth came (only name change, everything is continued from New52) but a huge exception: a long missing character came back to the grand scene who was missing for so long. Rebirth's first trade is The Flash Vol. 1: Lightning Strikes Twice
So if you are interested in Barry (overall) start with The Flash: Rebirth and move onward to Flashpont , but you can just start with The Flash, Vol. 1: Move Forward or DC Rebirth and The Flash Vol. 1: Lightning Strikes Twice , then read everything up to today. (currently there is a Flash event called Flash War coming out)
(there is an omnibus on sale at the moment (a collection of multiple trades) called The Flash By Francis Manapul and Brian Buccellato Omnibus that collects the first 4 trades of the New 52 era.
The reason why a lot of "getting into comics" threads are answered with lists is because the answers to questions like "how does continuity work?" and "why is this a good starting point?" and "what's the difference between relaunches and reboots?" usually create more confusion and more questions. Generally, that kind of "meta" information about comics is not really important for new readers. You're basically asking people to explain the comic-equivalent of the "history of modern film". That's not an easy question to answer, especially in a 10k-character-limited Reddit comment, nor would I recommend focusing on that before even having watched any movies (read any comics). When you watched Batman The Animated Series for the first time, I'm willing to bet you didn't read some encyclopedia or poll the internet about how TV and DC works. You probably just flipped the channel and enjoyed. There shouldn't be more to getting into comics than "Here, read this".
If none of that means anything to you then I'll just address the OP directly:
Here are some "modern essential" Flash recommendations (starting with Wally West):
How to Get Into Comic Books (13:40) by Patrick Willems
Consider your intent/commitment. Think about stories/characters from TV, movies, games, etc. that you already like. Do you seek “good” storytelling or encyclopedic DC knowledge? Are you here to collect or read? How much time/resources are available?
Don’t try to read everything—there’s too much. Forget about continuity, universes, and timelines; it's all very confusing, even to creators/fans. Older comics can be an acquired taste for modern audiences, so first appearances/early origins may not be the best starting points. Creative teams change often, characters get re-worked, and origins are re-told (e.g. I never cared for Aquaman until Geoff Johns’ run).
Pick an interesting character/team and seek their “greatest hits”. Focus on well-received, relatively self-contained, and complete stories. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary). Remember, there are so many other great characters and publishers to explore, and not all comics are about superheroes.
Comixology for digital. instocktrades for physical (US). ISBNS for price aggregate.
Recommendations:
Modern DC characters/teams:
Alternatively, you can skip directly to the new Rebirth re-launch by reading the Rebirth event (2016) and any Rebirth #1. Check out the /r/DCcomics sidebar for more info.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers already well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Modern DC events/crossovers:
Discover your preferences and let them guide you. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, or creative team consistently produces content you like? Follow these instincts.
Suggestions to improve the guide are welcome.
Consider your intent/commitment. Think about stories/characters from TV, movies, games, etc. that you already like. Do you seek “good” storytelling or encyclopedic Marvel knowledge? Are you here to collect or read? How much time/resources are available?
Don’t try to read everything—there’s too much. Older comics can be an acquired taste for modern audiences, so first appearances/early origins may not be the best starting points. Creative teams change often, characters get re-worked, origins are re-told (e.g. I never cared for Aquaman until Geoff Johns’ run).
Forget about continuity, universes, and timelines; it's all very confusing, even to creators/fans.
Pick an interesting character/team and seek their “greatest hits”. Focus on well-received, relatively self-contained, and complete stories. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary).
Remember, there are so many other great comics, characters, stories, and publishers to explore. There is much more variety now and not all comics are about superheroes.
Comixology for digital. instocktrades for physical (US). ISBNS for price aggregate.
Modern DC characters/teams:
Alternatively, you can skip directly to the newest series by reading the Rebirth event (2016) and then any series’ Rebirth #1. Check out the /r/DCcomics sidebar for more info.
Events/crossovers can be fun and/or tedious. However, they are most appreciated by readers already well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Modern DC events/crossovers:
Discover your preferences and let them guide you. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
Suggestions to improve the list are welcome.
Modern DC characters/teams:
Modern DC events/crossovers:
DC also publishes varied-genre, creator-owned comics for “mature readers” under separate imprints (e.g. Vertigo):
Modern DC characters/teams:
Alternatively, you can skip to the recent Rebirth re-launch by reading the DC Universe: Rebirth event and then any Rebirth series #1. /r/DCcomics sidebar for more info.
Modern DC events/crossovers:
DC also publishes varied-genre, creator-owned comics for “mature readers” under separate imprints (e.g. Vertigo):
If you're interested in any characters in particular I can post more recommendations.
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/fans. Don’t try to read everything, else you'll be wading through decades of mediocre comics for far too long. Remember, there are so many other great characters/stories/publishers to explore.
First appearances/origins are not always good starting points. Creative teams change often and characters get re-worked e.g. I never cared for Hawkeye until Fraction & Aja’s interpretation. Focus on well-received and relatively self-contained stories. Pick an interesting character or team and seek their “greatest hits” stories. You may encounter the occasional unexplained reference/character, but just try to ride along or Wiki if you must.
Modern DC characters/teams:
Alternatively, read the Rebirth event (2016) and then any Rebirth #1.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Modern DC events/crossovers:
Discover your preferences and let them inform your next comic selection. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/fans. Don’t try to read everything, else you'll be wading through decades of mediocre comics for far too long. Remember, there are so many other great characters/stories/publishers to explore.
First appearances/origins are not always good starting points. Creative teams change often and characters get re-worked e.g. I never cared for Hawkeye until Fraction & Aja’s interpretation. Focus on well-received and relatively self-contained stories. Pick an interesting character or team and seek their “greatest hits” stories. You may encounter the occasional unexplained reference/character, but just try to ride along or Wiki if you must.
Comixology for digital. instocktrades for physical (US). ISBNS for price aggregate.
Modern DC characters/teams:
Alternatively, read the Rebirth event (2016) and then any Rebirth #1.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Modern DC events/crossovers:
Discover your preferences and let them inform your next comic selection. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
Suggestions to improve this list are welcome.
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/fans. Don’t try to read everything, else you'll be wading through decades of mediocre comics for far too long. Remember, there are so many other great characters/stories/publishers to explore.
First appearances/origins are not always good starting points. Creative teams change often and characters get re-worked e.g. I never cared for Hawkeye until Fraction & Aja’s interpretation. Focus on well-received and relatively self-contained stories. Pick an interesting character or team and seek their “greatest hits” stories. You may encounter the occasional unexplained reference/character, but just try to ride along or Wiki if you must.
Modern DC characters/teams:
Alternatively, try the Rebirth event (2016) and then choose a Rebirth title beginning with #1.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Modern DC events/crossovers:
Discover your preferences and let them inform your next comic selection. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/fans.
First appearances & early origins are not always good starting points—older comics can be an acquired taste for modern audiences. Focus on well-received and relatively self-contained stories. Pick an interesting character/team and seek their “greatest hits”. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary).
Modern Marvel characters/teams:
Modern Marvel events/crossovers:
Modern DC characters/teams:
Modern DC events/crossovers:
How to Get Into Comic Books (13:40) by Patrick Willems
Consider your intent/commitment. Think about stories/characters from TV, movies, games, etc. that you already like. Do you seek “good” storytelling or encyclopedic DC knowledge? Are you here to collect or read? How much time/resources are available?
Don’t try to read everything—there’s too much. Forget about continuity, universes, and timelines; it's all very confusing, even to creators/fans. Older comics can be an acquired taste for modern audiences, so first appearances/early origins may not be the best starting points. Creative teams change often, characters get re-worked, and origins are re-told (e.g. I never cared for Aquaman until Geoff Johns’ run).
Pick an interesting character/team and seek their “greatest hits”. Focus on well-received, relatively self-contained, and complete stories. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary). Remember, there are so many other great characters and publishers to explore, and not all comics are about superheroes.
Comixology for digital. instocktrades for physical (US). ISBNS for price aggregate.
Recommendations:
Modern DC characters/teams:
Alternatively, you can skip directly to the newest series by reading the Rebirth event (2016) and then any series’ Rebirth #1. Check out the /r/DCcomics sidebar for more info.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers already well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Modern DC events/crossovers:
Discover your preferences and let them guide you. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, or creative team consistently produces content you like? Follow these instincts.
Suggestions to improve the guide are welcome.
The Green Lantern movie isn't that great from a film-making perspective, but if you're a fan of the character and just want to watch something for dumb fun, then, sure, give it a shot.
Geoff Johns' Green Lantern (below) run has good Red Lanterns stuff (and much more).
How to Get Into Comic Books (13:40) by Patrick Willems
Consider your intent/commitment. Think about stories/characters from TV, movies, games, etc. that you already like. Do you seek “good” storytelling or encyclopedic DC knowledge? Are you here to collect or read? How much time/resources are available?
Don’t try to read everything—there’s too much. Forget about continuity, universes, and timelines; it's all very confusing, even to creators/fans. Older comics can be an acquired taste for modern audiences, so first appearances/early origins may not be the best starting points. Creative teams change often, characters get re-worked, and origins are re-told (e.g. I never cared for Aquaman until Geoff Johns’ run).
Pick an interesting character/team and seek their “greatest hits”. Focus on well-received, relatively self-contained, and complete stories. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary). Remember, there are so many other great characters and publishers to explore, and not all comics are about superheroes.
Comixology for digital. instocktrades for physical (US). ISBNS for price aggregate.
Recommendations:
Modern DC characters/teams:
Alternatively, you can skip directly to the new Rebirth re-launch by reading the Rebirth event (2016) and any Rebirth #1. Check out the /r/DCcomics sidebar for more info.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers already well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Modern DC events/crossovers:
Discover your preferences and let them guide you. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, or creative team consistently produces content you like? Follow these instincts.
Suggestions to improve the guide are welcome.
Do yourself a favor and pick up the book, it's fantastic.
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/fans.
How much time do you have for comics? The answer determines how expansive recommendations are. Regardless, don’t try to read everything. First appearances & early origins are not always good starting points—older comics can be an acquired taste for modern audiences. Remember, there are so many other great characters/stories/publishers to explore (and not all comics are about superheroes).
Think about your favorite stories from other media. What you might like to read in a comic? Are you more interested in good storytelling or becoming a DC knowledge nerd?
Creative teams change often and characters get re-worked e.g. I never cared for Aquaman until Geoff Johns’ run. Focus on well-received and relatively self-contained stories. Pick an interesting character/team and seek their “greatest hits”. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary).
Comixology for digital. instocktrades for physical (US). ISBNS for price aggregate.
Modern DC characters/teams:
Alternatively, if you want to skip to the newest stuff, read the Rebirth event (2016) and then any Rebirth #1.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Modern DC events/crossovers:
Discover your preferences and let them inform your next comic selection. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
Suggestions to improve the list are welcome.
Modern DC characters/teams:
Modern DC events/crossovers:
DC Imprint titles:
How to Get Into Comic Books (13:40) | Patrick Willems
Where to buy (US):
Recommendations:
MARVEL
Modern Marvel characters/teams:
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Modern Marvel events/crossovers:
DC
Modern DC characters/teams:
Alternatively, you can skip to the recent Rebirth re-launch by reading the DC Universe: Rebirth event and then any Rebirth series #1.
Modern DC events/crossovers:
DC also publishes varied-genre, creator-owned comics for “mature readers” under separate imprints (e.g. Vertigo):