The Morrison omnibuses are not new material, it is just a repackaging of his older run in omnibus format. Because of this, it is aimed at collectors or people who have not read his arc yet, who are looking to get it all in one place.
I will copy down relevant information I have shared before:
> Morrison's run is fairly easy enough to follow. This infographic describes the order for reading in trade paper back format, though if I recall correctly, they have recently started putting Morrison's run in omnibus format.
> Trade Paper backs: Batman and Son (New edition comes with The Black Glove arc, too), (optional Resurrection of Ra's Al Ghul), Batman RIP, then, it gets a little messy, as you might consider reading the DC wide event Final Crisis, which isn't Batman specific, but has huge ramifications for Batman going forward, but admittedly, without broad DC knowledge, can be confusing, anyway, following that is (optionally Battle for the Cowl and Whatever happened to the Caped Crusader?, which are not written by Morrison, but BftC is plot relevant to Batman going forward, and Gaiman's WHttCC? is a short and extremely well made reflection on Batman) then Batman and Robin: Batman Reborn, Batman and Robin: Batman Vs Robin, Time and the Batman, The Return of Bruce Wayne, Batman and Robin: Batman and Robin Must Die!. This is followed by the post-crisis Batman: Incorporated, but DC rebooted mid-Morrison run, so that it is finally completed with the New 52 Batman Incorporated volume 1: Demon Star and Batman Incorporated volume 2: Gotham's Most Wanted.
> All of this (at least the Morrison parts, not any of the optional sections) are collected again in omnibus editions (so, same chapters inside, just the physical book and how many chapters it contains is different): 1 containig Batman and Son, The Black Glove and RIP, there is a Final Crisis Omnibus, which I have heard is more complete, and there is 2 containing Time and the Batman, the first 3 Batman and Robin volumes, as well as The Return of Bruce Wayne. Lastly, there is the Batman Incorporated Absolute Edition finishing the all the Batman Incorporated stuff.
I hope this helps!
by FlyByTieDye 2019-11-17
The Grant Morrison omnibus series is aimed at collectors or people who have not read his arc yet, who are looking to get it all in one place.
I will copy down relevant information I have shared before:
> Morrison's run is fairly easy enough to follow. This infographic describes the order for reading in trade paper back format, though if I recall correctly, they have recently started putting Morrison's run in omnibus format.
> Trade Paper backs: Batman and Son (New edition comes with The Black Glove arc, too), (optional Resurrection of Ra's Al Ghul), Batman RIP, then, it gets a little messy, as you might consider reading the DC wide event Final Crisis, which isn't Batman specific, but has huge ramifications for Batman going forward, but admittedly, without broad DC knowledge, can be confusing, anyway, following that is (optionally Battle for the Cowl and Whatever happened to the Caped Crusader?, which are not written by Morrison, but BftC is plot relevant to Batman going forward, and Gaiman's WHttCC? is a short and extremely well made reflection on Batman) then Batman and Robin: Batman Reborn, Batman and Robin: Batman Vs Robin, Time and the Batman, The Return of Bruce Wayne, Batman and Robin: Batman and Robin Must Die!. This is followed by the post-crisis Batman: Incorporated, but DC rebooted mid-Morrison run, so that it is finally completed with the New 52 Batman Incorporated volume 1: Demon Star and Batman Incorporated volume 2: Gotham's Most Wanted.
> All of this (at least the Morrison parts, not any of the optional sections) are collected again in omnibus editions (so, same chapters inside, just the physical book and how many chapters it contains is different): 1 containig Batman and Son, The Black Glove and RIP, there is a Final Crisis Omnibus, which I have heard is more complete, and there is 2 containing Time and the Batman, the first 3 Batman and Robin volumes, as well as The Return of Bruce Wayne. Lastly, there is the Batman Incorporated Absolute Edition finishing the all the Batman Incorporated stuff.
I should note, I don't own the omnibuses, this is just what I could make out from the chapter lists within the Amazon details, but I am still pretty confident, as the division of material at least makes sense to me (i.e. his Bruce arc, his Dick arc, then his Incorporated arc each now have separate omnibuses).
I hope this helps!
by Tigertemprr 2018-11-10
> It’s so confusing, why shouldn’t I just be able to follow his story from beginning to present?
> (I’m using Batman as an example but really I’d like help understanding how to follow comics in general as they’re all laid out this way, with overlapping arcs and timelines and such)
This isn't entirely how comics work. In general, it's not the only way other mediums work either. The REQUIREMENT that everything follows a strict, traditional/conventional 3-act structure (beginning, middle, end) is self-imposed and not necessary for good story-telling. The "beginning" of comics happened decades ago and the "end" is nowhere in sight; comics are perpetually stuck in the "middle".
You're already used to non-traditional narrative structure; it's used very often in other mediums. Why does Star Wars get a pass but not superhero comics? Did you see how Darth Vader "became" Darth Vader before he was introduced for the first time? Do you refuse to watch/read/play anything that will potentially have a prequel and ruin your "sense" of chronology? Did Memento or even Pulp Fiction melt your mind? When you go watch Suicide Squad: Hell to Pay, there aren't going to be in-depth introductions for every character.
It's OK to embrace your preferences. Most people like following stories from beginning to end. Now that there is 70+ years of comic history to explore, third parties have attempted ordering it all in some subjective, complicated chronology. It's not really possible, though. How do you handle flashbacks, especially when they're embedded in another story? Do you have to change the chronology to per-panel precision? What about simultaneous story releases? Alternate universes/timelines that are fully/partially "canon" and/or merged/retconned later? Varieties of characterization by multiple writers/artists?
Most of what made these superheroes "cool" in the first place was very topical. What powers do they have? What does their costume look like? Their backstories and character growth/development were fleshed out over the coming decades, more specifically in the "modern" age of comics when the demographic started transitioning to include adults.
There's no "perfect" or "definitive" sequence of events that Batman's story occurred in. That severely limits creators from writing new stories for the character without requiring hard continuity reboots. If you start solidifying that Batman grew up in X, met character Y, fought character Z, in a strict order that can't be changed, then you can't write stories that occur in between those moments. If you plan out Batman's entire chronology to fit a realistic calendar where Bane broke his back on Wednesday and the Court of Owls revealed themselves on Friday, then you (1) will find it won't make sense (because that's not how comics are made) and (2) are stripping all of the "magic" of comics away. Keep in mind: 70+ year old shared universes are an unprecedented achievement of storytelling. No other medium has accomplished something of this scale for this long. You should expect to think of something unique like that a little differently than you might be used to.
I think it's easier to get into comics when you drop the "need" to read EVERYTHING, IN ORDER. You should just read self-contained stories and treat them like separate stories. Think of it like a jigsaw picture puzzle that you're solving one piece at a time. You won't see the big picture (continuity) until you manually piece random pieces of it together over time. You even start to develop your own "methodology" (head-canon, community discussion, etc.) of putting those pieces together (reading comics) in a way that makes sense to you personally. Comics should feel more like self-discovery/exploration than procedure/work.
This is (roughly) how I got into Batman and what I suggest to new readers:
How to Get Into Comic Books (13:40) | Patrick Willems
Consider your intent/commitment. Think about your favorite shows, movies, books, etc. Do you seek quality storytelling or encyclopedic superhero knowledge? Plan to collect? Do you have the time/money to read 50 or 500 comics per character?
Don’t try to read everything at once. There’s too much. Forget about catching up, continuity, universes, etc. for now. Think of it like solving a jigsaw puzzle one small piece at a time until you finally start to see the big picture. Older comics can be an acquired taste for modern audiences, so they aren’t always ideal starting points. Creative teams change often, characters get re-worked, and origins are re-told.
Pick an interesting character/team and seek their most popular/acclaimed stories. Focus on self-contained/complete stories. You will encounter unexplained references/characters/events—just keep reading or Wiki. Don
by Tigertemprr 2018-03-19
How to Get Into Comic Books (13:40) | Patrick Willems
Consider your intent/commitment. Think about stories/characters from TV, movies, games, etc. that you already like. Do you seek “good” storytelling or encyclopedic DC knowledge? Are you here to collect or read? How much time/resources are available?
Don’t try to read everything—there’s too much. Forget about continuity, universes, and timelines; it's all very confusing, even to creators/fans. Older comics can be an acquired taste for modern audiences, so first appearances/early origins may not be the best starting points. Creative teams change often, characters get re-worked, and origins are re-told (e.g. I never cared for Aquaman until Geoff Johns’ run).
Pick an interesting character/team and seek their “greatest hits”. Focus on well-received, relatively self-contained, and complete stories. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary). Remember, there are so many other great characters and publishers to explore, and not all comics are about superheroes.
Alternatively, you can skip to the recent Rebirth re-launch with the DC Universe: Rebirth #1 event and then any Rebirth series #1. Check out the /r/DCcomics sidebar for more info.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers already well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Discover your preferences and let them guide you. Do you like old/new comics? Specific genres? Complex/simple narratives? Cartoon-y/photo-realistic art? Familiar/far-fetched concepts? Literary/meta-fictional references? Social/political commentary? Family-friendly/explicit content? Optimistic/pessimistic characters? Have you noticed that a specific artist/writer consistently makes comics you like? Follow these instincts.
Suggestions to improve this guide are welcome.
by Tigertemprr 2018-03-19
"Essential" Batman stories (in suggested reading order):
There are plenty more good Batman stories, but at least this will give you some direction.
General new-reader advice:
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/fans. The best way to jump in is to just start reading. Check out the /r/DCcomics sidebar.
How much time do you have for comics? More time = more comprehensive recommendations. Regardless, don’t try to read everything. First appearances & early origins are not always good starting points—older comics can be an acquired taste for modern audiences. Remember, there are so many other great characters/stories/publishers to explore (and not all comics are about superheroes).
Think about your favorite stories from other media. What you might like to read in a comic? Are you more interested in good storytelling or becoming a DC knowledge nerd?
Creative teams change often and characters get re-worked e.g. I never cared for Aquaman until Geoff Johns’ run. Focus on well-received and relatively self-contained stories. Pick an interesting character/team and seek their “greatest hits”. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary).
Comixology for digital. instocktrades for physical (US). ISBNS for price aggregate.
Alternatively, if you want to skip to the newest stuff, read the Rebirth event (2016) and then any series’ Rebirth #1.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Discover your preferences and let them inform your next comic selection. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
Suggestions to improve the list are welcome.
by Tigertemprr 2018-02-16
It's be easer to personalize recommendations if we new what characters or types of stories you are interested in. What are your favorite movies, TV shows, games, books, etc.? You mentioned a few characters in other replies, so here are some modern essentials:
The Authority is a superhero team that travels The Bleed (cosmic space) keeping order against threats like international terrorists, invasions from alternate Earths, and "God", a hostile alien creator of the solar system. The team consists of a british woman with electrical powers, a man that is psychically bonded with cities, a Tibetan woman that uses wings to fly, a bio-engineered Superman analog, a bio-engineered Batman analog with foresight in battle, a scientist with nano-tech for blood, a Dutch drug addict/shaman with cumulative power of his ancestry, etc.
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/fans. Don’t try to read everything, else you'll be wading through decades of mediocre comics for far too long. Remember, there are so many other great characters/stories/publishers to explore.
First appearances/origins are not always good starting points. Creative teams change often and characters get re-worked e.g. I never cared for Hawkeye until Fraction & Aja’s interpretation. Focus on well-received and relatively self-contained stories. Pick an interesting character or team and seek their “greatest hits” stories. You may encounter the occasional unexplained reference/character, but just try to ride along or Wiki if you must.
Comixology for digital. instocktrades for physical (US). ISBNS for price aggregate.
Alternatively, read the Rebirth event (2016) and then any Rebirth #1.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Discover your preferences and let them inform your next comic selection. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
Suggestions to improve this list are welcome.
by Tigertemprr 2017-08-19
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/fans. Don’t try to read everything, else you'll be wading through decades of mediocre comics for far too long. Remember, there are so many other great characters/stories/publishers to explore.
First appearances/origins are not always good starting points. Creative teams change often and characters get re-worked e.g. I never cared for Hawkeye until Fraction & Aja’s interpretation. Focus on well-received and relatively self-contained stories. Pick an interesting character or team and seek their “greatest hits” stories. You may encounter the occasional unexplained reference/character, but just try to ride along or Wiki if you must.
Marvel Unlimited / Comixology for digital. instocktrades for physical (US). ISBNS for price aggregate.
Alternatively, read the Rebirth event (2016) and then any Rebirth #1.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Discover your preferences and let them inform your next comic selection. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
Suggestions to improve the list are welcome.
by Tigertemprr 2017-08-19
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/fans. The best way to jump in is to just start reading.
How much time do you have for comics? The answer determines how extensive recommendations are. Regardless, don’t try to read everything. First appearances & early origins are not always good starting points—older comics can be an acquired taste for modern audiences. Remember, there are so many other great characters/stories/publishers to explore (and not all comics are about superheroes).
Think about your favorite stories from other media. What you might like to read in a comic? Are you more interested in good storytelling or becoming a DC knowledge nerd?
Creative teams change often and characters get re-worked e.g. I never cared for Aquaman until Geoff Johns’ run. Focus on well-received and relatively self-contained stories. Pick an interesting character/team and seek their “greatest hits”. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary).
Comixology for digital. instocktrades for physical (US). ISBNS for price aggregate.
Alternatively, if you want to skip to the newest stuff, read the Rebirth event (2016) and then any series’ Rebirth #1.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Discover your preferences and let them inform your next comic selection. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
Suggestions to improve the list are welcome.
by soulreaverdan 2017-08-19
It starts with the Batman and Son storyline in Batman #655 and basically just rolls on through a lot of books. The trades are collected as:
It seems like you're interested in modern superhero comics so I'll help out with that (though you should consider other publishers like Image & Dark Horse).
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/fans. Don’t try to read everything, else you'll be wading through mediocrity for too long. There are so many other great comics (and publishers) to explore!
First appearances/origins aren’t always good starting points. Creative teams change often and characters get re-worked e.g. never caring about Hawkeye until Fraction & Aja’s interpretation. Focus on well-received and relatively self-contained series. Pick an interesting character or team and seek their “greatest hits” stories.
Marvel Unlimited for digital comics. instocktrades for physical retail (US).
Events/crossovers can be tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major continuity changes.
Discover your preferences and let them inform your next comic selection. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
The Morrison omnibuses are not new material, it is just a repackaging of his older run in omnibus format. Because of this, it is aimed at collectors or people who have not read his arc yet, who are looking to get it all in one place.
I will copy down relevant information I have shared before:
> Morrison's run is fairly easy enough to follow. This infographic describes the order for reading in trade paper back format, though if I recall correctly, they have recently started putting Morrison's run in omnibus format.
> Trade Paper backs: Batman and Son (New edition comes with The Black Glove arc, too), (optional Resurrection of Ra's Al Ghul), Batman RIP, then, it gets a little messy, as you might consider reading the DC wide event Final Crisis, which isn't Batman specific, but has huge ramifications for Batman going forward, but admittedly, without broad DC knowledge, can be confusing, anyway, following that is (optionally Battle for the Cowl and Whatever happened to the Caped Crusader?, which are not written by Morrison, but BftC is plot relevant to Batman going forward, and Gaiman's WHttCC? is a short and extremely well made reflection on Batman) then Batman and Robin: Batman Reborn, Batman and Robin: Batman Vs Robin, Time and the Batman, The Return of Bruce Wayne, Batman and Robin: Batman and Robin Must Die!. This is followed by the post-crisis Batman: Incorporated, but DC rebooted mid-Morrison run, so that it is finally completed with the New 52 Batman Incorporated volume 1: Demon Star and Batman Incorporated volume 2: Gotham's Most Wanted.
> All of this (at least the Morrison parts, not any of the optional sections) are collected again in omnibus editions (so, same chapters inside, just the physical book and how many chapters it contains is different): 1 containig Batman and Son, The Black Glove and RIP, there is a Final Crisis Omnibus, which I have heard is more complete, and there is 2 containing Time and the Batman, the first 3 Batman and Robin volumes, as well as The Return of Bruce Wayne. Lastly, there is the Batman Incorporated Absolute Edition finishing the all the Batman Incorporated stuff.
I hope this helps!
The Grant Morrison omnibus series is aimed at collectors or people who have not read his arc yet, who are looking to get it all in one place.
I will copy down relevant information I have shared before:
> Morrison's run is fairly easy enough to follow. This infographic describes the order for reading in trade paper back format, though if I recall correctly, they have recently started putting Morrison's run in omnibus format.
> Trade Paper backs: Batman and Son (New edition comes with The Black Glove arc, too), (optional Resurrection of Ra's Al Ghul), Batman RIP, then, it gets a little messy, as you might consider reading the DC wide event Final Crisis, which isn't Batman specific, but has huge ramifications for Batman going forward, but admittedly, without broad DC knowledge, can be confusing, anyway, following that is (optionally Battle for the Cowl and Whatever happened to the Caped Crusader?, which are not written by Morrison, but BftC is plot relevant to Batman going forward, and Gaiman's WHttCC? is a short and extremely well made reflection on Batman) then Batman and Robin: Batman Reborn, Batman and Robin: Batman Vs Robin, Time and the Batman, The Return of Bruce Wayne, Batman and Robin: Batman and Robin Must Die!. This is followed by the post-crisis Batman: Incorporated, but DC rebooted mid-Morrison run, so that it is finally completed with the New 52 Batman Incorporated volume 1: Demon Star and Batman Incorporated volume 2: Gotham's Most Wanted.
> All of this (at least the Morrison parts, not any of the optional sections) are collected again in omnibus editions (so, same chapters inside, just the physical book and how many chapters it contains is different): 1 containig Batman and Son, The Black Glove and RIP, there is a Final Crisis Omnibus, which I have heard is more complete, and there is 2 containing Time and the Batman, the first 3 Batman and Robin volumes, as well as The Return of Bruce Wayne. Lastly, there is the Batman Incorporated Absolute Edition finishing the all the Batman Incorporated stuff.
I should note, I don't own the omnibuses, this is just what I could make out from the chapter lists within the Amazon details, but I am still pretty confident, as the division of material at least makes sense to me (i.e. his Bruce arc, his Dick arc, then his Incorporated arc each now have separate omnibuses).
I hope this helps!
> It’s so confusing, why shouldn’t I just be able to follow his story from beginning to present?
> (I’m using Batman as an example but really I’d like help understanding how to follow comics in general as they’re all laid out this way, with overlapping arcs and timelines and such)
This isn't entirely how comics work. In general, it's not the only way other mediums work either. The REQUIREMENT that everything follows a strict, traditional/conventional 3-act structure (beginning, middle, end) is self-imposed and not necessary for good story-telling. The "beginning" of comics happened decades ago and the "end" is nowhere in sight; comics are perpetually stuck in the "middle".
You're already used to non-traditional narrative structure; it's used very often in other mediums. Why does Star Wars get a pass but not superhero comics? Did you see how Darth Vader "became" Darth Vader before he was introduced for the first time? Do you refuse to watch/read/play anything that will potentially have a prequel and ruin your "sense" of chronology? Did Memento or even Pulp Fiction melt your mind? When you go watch Suicide Squad: Hell to Pay, there aren't going to be in-depth introductions for every character.
It's OK to embrace your preferences. Most people like following stories from beginning to end. Now that there is 70+ years of comic history to explore, third parties have attempted ordering it all in some subjective, complicated chronology. It's not really possible, though. How do you handle flashbacks, especially when they're embedded in another story? Do you have to change the chronology to per-panel precision? What about simultaneous story releases? Alternate universes/timelines that are fully/partially "canon" and/or merged/retconned later? Varieties of characterization by multiple writers/artists?
Most of what made these superheroes "cool" in the first place was very topical. What powers do they have? What does their costume look like? Their backstories and character growth/development were fleshed out over the coming decades, more specifically in the "modern" age of comics when the demographic started transitioning to include adults.
There's no "perfect" or "definitive" sequence of events that Batman's story occurred in. That severely limits creators from writing new stories for the character without requiring hard continuity reboots. If you start solidifying that Batman grew up in X, met character Y, fought character Z, in a strict order that can't be changed, then you can't write stories that occur in between those moments. If you plan out Batman's entire chronology to fit a realistic calendar where Bane broke his back on Wednesday and the Court of Owls revealed themselves on Friday, then you (1) will find it won't make sense (because that's not how comics are made) and (2) are stripping all of the "magic" of comics away. Keep in mind: 70+ year old shared universes are an unprecedented achievement of storytelling. No other medium has accomplished something of this scale for this long. You should expect to think of something unique like that a little differently than you might be used to.
I think it's easier to get into comics when you drop the "need" to read EVERYTHING, IN ORDER. You should just read self-contained stories and treat them like separate stories. Think of it like a jigsaw picture puzzle that you're solving one piece at a time. You won't see the big picture (continuity) until you manually piece random pieces of it together over time. You even start to develop your own "methodology" (head-canon, community discussion, etc.) of putting those pieces together (reading comics) in a way that makes sense to you personally. Comics should feel more like self-discovery/exploration than procedure/work.
This is (roughly) how I got into Batman and what I suggest to new readers:
Introduction to Comics
How to Get Into Comic Books (13:40) | Patrick Willems
Consider your intent/commitment. Think about your favorite shows, movies, books, etc. Do you seek quality storytelling or encyclopedic superhero knowledge? Plan to collect? Do you have the time/money to read 50 or 500 comics per character?
Don’t try to read everything at once. There’s too much. Forget about catching up, continuity, universes, etc. for now. Think of it like solving a jigsaw puzzle one small piece at a time until you finally start to see the big picture. Older comics can be an acquired taste for modern audiences, so they aren’t always ideal starting points. Creative teams change often, characters get re-worked, and origins are re-told.
Pick an interesting character/team and seek their most popular/acclaimed stories. Focus on self-contained/complete stories. You will encounter unexplained references/characters/events—just keep reading or Wiki. Don
How to Get Into Comic Books (13:40) | Patrick Willems
Consider your intent/commitment. Think about stories/characters from TV, movies, games, etc. that you already like. Do you seek “good” storytelling or encyclopedic DC knowledge? Are you here to collect or read? How much time/resources are available?
Don’t try to read everything—there’s too much. Forget about continuity, universes, and timelines; it's all very confusing, even to creators/fans. Older comics can be an acquired taste for modern audiences, so first appearances/early origins may not be the best starting points. Creative teams change often, characters get re-worked, and origins are re-told (e.g. I never cared for Aquaman until Geoff Johns’ run).
Pick an interesting character/team and seek their “greatest hits”. Focus on well-received, relatively self-contained, and complete stories. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary). Remember, there are so many other great characters and publishers to explore, and not all comics are about superheroes.
Digital: Comixology. Print (US, collected editions): instocktrades. Price aggregate (print): ISBNS.
Recommendations:
Batman
Flash
Superman
Modern DC characters/teams:
Alternatively, you can skip to the recent Rebirth re-launch with the DC Universe: Rebirth #1 event and then any Rebirth series #1. Check out the /r/DCcomics sidebar for more info.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers already well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Modern DC events/crossovers:
Discover your preferences and let them guide you. Do you like old/new comics? Specific genres? Complex/simple narratives? Cartoon-y/photo-realistic art? Familiar/far-fetched concepts? Literary/meta-fictional references? Social/political commentary? Family-friendly/explicit content? Optimistic/pessimistic characters? Have you noticed that a specific artist/writer consistently makes comics you like? Follow these instincts.
Suggestions to improve this guide are welcome.
"Essential" Batman stories (in suggested reading order):
There are plenty more good Batman stories, but at least this will give you some direction.
General new-reader advice:
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/fans. The best way to jump in is to just start reading. Check out the /r/DCcomics sidebar.
How much time do you have for comics? More time = more comprehensive recommendations. Regardless, don’t try to read everything. First appearances & early origins are not always good starting points—older comics can be an acquired taste for modern audiences. Remember, there are so many other great characters/stories/publishers to explore (and not all comics are about superheroes).
Think about your favorite stories from other media. What you might like to read in a comic? Are you more interested in good storytelling or becoming a DC knowledge nerd?
Creative teams change often and characters get re-worked e.g. I never cared for Aquaman until Geoff Johns’ run. Focus on well-received and relatively self-contained stories. Pick an interesting character/team and seek their “greatest hits”. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary).
Comixology for digital. instocktrades for physical (US). ISBNS for price aggregate.
Modern DC characters/teams:
Alternatively, if you want to skip to the newest stuff, read the Rebirth event (2016) and then any series’ Rebirth #1.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Modern DC events/crossovers:
Discover your preferences and let them inform your next comic selection. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
Suggestions to improve the list are welcome.
It's be easer to personalize recommendations if we new what characters or types of stories you are interested in. What are your favorite movies, TV shows, games, books, etc.? You mentioned a few characters in other replies, so here are some modern essentials:
Batman
Green Arrow
Other Recommendations
Batman
Superman
General Recommendations
Essential Batman
"Mature" DC comics available in deluxe-sized hardcover format:
DC Imprint comics (comics in separate DC universe, varied-genres, target mature readers) available in deluxe-sized hardcover format:
The Authority is a superhero team that travels The Bleed (cosmic space) keeping order against threats like international terrorists, invasions from alternate Earths, and "God", a hostile alien creator of the solar system. The team consists of a british woman with electrical powers, a man that is psychically bonded with cities, a Tibetan woman that uses wings to fly, a bio-engineered Superman analog, a bio-engineered Batman analog with foresight in battle, a scientist with nano-tech for blood, a Dutch drug addict/shaman with cumulative power of his ancestry, etc.
Batman - Modern Essentials
Recommendations
Criteria:
NOTE: Ratings = IRL reading group averages, subjective, rounded, in flux, and require 2+ opinions. " - " = unrated.
Batman Essentials
Also, if you like Gotham, then check out the comic that I wanted the TV show to be:
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/fans. Don’t try to read everything, else you'll be wading through decades of mediocre comics for far too long. Remember, there are so many other great characters/stories/publishers to explore.
First appearances/origins are not always good starting points. Creative teams change often and characters get re-worked e.g. I never cared for Hawkeye until Fraction & Aja’s interpretation. Focus on well-received and relatively self-contained stories. Pick an interesting character or team and seek their “greatest hits” stories. You may encounter the occasional unexplained reference/character, but just try to ride along or Wiki if you must.
Comixology for digital. instocktrades for physical (US). ISBNS for price aggregate.
Modern DC characters/teams:
Alternatively, read the Rebirth event (2016) and then any Rebirth #1.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Modern DC events/crossovers:
Discover your preferences and let them inform your next comic selection. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
Suggestions to improve this list are welcome.
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/fans. Don’t try to read everything, else you'll be wading through decades of mediocre comics for far too long. Remember, there are so many other great characters/stories/publishers to explore.
First appearances/origins are not always good starting points. Creative teams change often and characters get re-worked e.g. I never cared for Hawkeye until Fraction & Aja’s interpretation. Focus on well-received and relatively self-contained stories. Pick an interesting character or team and seek their “greatest hits” stories. You may encounter the occasional unexplained reference/character, but just try to ride along or Wiki if you must.
Marvel Unlimited / Comixology for digital. instocktrades for physical (US). ISBNS for price aggregate.
Modern DC characters/teams:
Alternatively, read the Rebirth event (2016) and then any Rebirth #1.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Modern DC events/crossovers:
Discover your preferences and let them inform your next comic selection. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
Suggestions to improve the list are welcome.
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/fans. The best way to jump in is to just start reading.
How much time do you have for comics? The answer determines how extensive recommendations are. Regardless, don’t try to read everything. First appearances & early origins are not always good starting points—older comics can be an acquired taste for modern audiences. Remember, there are so many other great characters/stories/publishers to explore (and not all comics are about superheroes).
Think about your favorite stories from other media. What you might like to read in a comic? Are you more interested in good storytelling or becoming a DC knowledge nerd?
Creative teams change often and characters get re-worked e.g. I never cared for Aquaman until Geoff Johns’ run. Focus on well-received and relatively self-contained stories. Pick an interesting character/team and seek their “greatest hits”. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary).
Comixology for digital. instocktrades for physical (US). ISBNS for price aggregate.
Modern DC characters/teams:
Alternatively, if you want to skip to the newest stuff, read the Rebirth event (2016) and then any series’ Rebirth #1.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Modern DC events/crossovers:
Discover your preferences and let them inform your next comic selection. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
Suggestions to improve the list are welcome.
It starts with the Batman and Son storyline in Batman #655 and basically just rolls on through a lot of books. The trades are collected as:
The actual issues in question are:
Modern DC characters/teams:
Modern DC events/crossovers:
EDIT1: ~~Mark~~ Marv
It seems like you're interested in modern superhero comics so I'll help out with that (though you should consider other publishers like Image & Dark Horse).
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/fans. Don’t try to read everything, else you'll be wading through mediocrity for too long. There are so many other great comics (and publishers) to explore!
First appearances/origins aren’t always good starting points. Creative teams change often and characters get re-worked e.g. never caring about Hawkeye until Fraction & Aja’s interpretation. Focus on well-received and relatively self-contained series. Pick an interesting character or team and seek their “greatest hits” stories.
Marvel Unlimited for digital comics. instocktrades for physical retail (US).
Modern Marvel characters/teams:
Events/crossovers can be tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major continuity changes.
Modern Marvel events/crossovers:
Discover your preferences and let them inform your next comic selection. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
Modern DC characters/teams:
Well, the Arkham-verse is its own thing, it does not continue from any specific comic continuity.
With that said, there are certainly a number of reads to familiarize yourself with Batman's cast of characters. Going off of ones you mentioned specifically, A Death in the Family and Under the Red Hood are a nice introduction to Red Hood. For Azrael, I'd go through the Knightfall arc. Birth of the Demon is a great collection of Ra's Al Ghul stories and even features the birth of Damian. While it'll probably make you want to start going through all of Morrison's run, Batman and Son is the first real appearance of Damian, and then later on in Morrison's time on Batman, his Batman and Robin run is fantastic and the first three volumes really have Damian coming into his own as Robin alongside Dick Grayson as Batman. Honestly, I can't really think of any quintessential Scarecrow stories. These two articles offer some suggestions you can check out if you're really interested in the character.
Not too long ago I cobbled together a brief Batman timeline that you might fight interesting.