How to Get Into Comic Books (13:40) | Patrick Willems
Consider your intent/commitment. Think about stories/characters from TV, movies, games, etc. that you already like. Do you seek “good” storytelling or encyclopedic Marvel knowledge? Are you here to collect or read? How much time/resources are available?
Don’t try to read everything—there’s too much. Forget about continuity, universes, and timelines; it's all very confusing, even to creators/fans. Older comics can be an acquired taste for modern audiences, so first appearances/early origins may not be the best starting points. Creative teams change often, characters get re-worked, and origins are re-told (e.g. I never cared for Hawkeye until Matt Fractions’ run).
Pick an interesting character/team and seek their “greatest hits”. Focus on well-received, relatively self-contained, and complete stories. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary). Remember, there are so many other great characters and publishers to explore, and not all comics are about superheroes.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Discover your preferences and let them guide you. Do you like: old/new comics? Specific genres? Literary/natural narratives? Cartoony/realistic art? Familiar/weird concepts? References/self-contained? Social/political commentary? Family-friendly/explicit content? Optimism/pessimism? Have you noticed that a specific artist/writer consistently makes comics you like? Follow these instincts.
Alternatively, you can skip to the recent Rebirth re-launch by reading the DC Universe: Rebirth #1 event and then any Rebirth series #1. /r/DCcomics sidebar.
How to Get Into Comic Books (13:40) | Patrick Willems
Consider your intent/commitment. Think about your favorite stories/characters from TV, movies, games, books, etc. Do you seek quality storytelling or encyclopedic Marvel knowledge? Plan to collect? How much time/resources are available i.e. how deep do you want to dive?
Don’t try to read everything—there’s too much. Forget about “catching up”, continuity, universes, and timelines; it's all very confusing, even to creators/fans. Older comics can be an acquired taste for modern audiences, so first appearances/early origins may not be the best starting points. Creative teams change often, characters get re-worked, and origins are re-told (e.g. I never cared for Hawkeye until Matt Fractions’ run).
Pick an interesting character/team and seek their “greatest hits”. Don’t get stuck “preparing”, just start reading. Focus on well-received, relatively self-contained, and complete stories. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary). Remember, there are so many other great characters/creators/publishers to explore, and not all comics are about superheroes.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Discover your preferences and let them guide you. Do you like: old/new comics? Specific genres? Literary/natural narratives? Cartoony/realistic art? Familiar/weird concepts? References/self-contained? Social/political commentary? Family-friendly/explicit content? Optimism/pessimism? Have you noticed that a specific artist/writer consistently makes comics you like? Follow these instincts.
Suggestions to improve this guide are welcome.
by Tigertemprr 2018-03-19
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/fans. Don’t try to read everything, else you'll be wading through mediocrity for too long. There are so many other great comics (and publishers) to explore!
First appearances/origins aren’t always good starting points. Creative teams change often and characters get re-worked e.g. never caring about Hawkeye until Fraction & Aja’s interpretation. Focus on well-received and relatively self-contained series. Pick an interesting character or team and seek their “greatest hits” stories.
Marvel Unlimited / Comixology for digital comics. instocktrades for physical retail (US).
Events/crossovers can be tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major continuity changes.
Discover your preferences and let them inform your next comic selection. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
by Tigertemprr 2017-09-09
How to Get Into Comic Books (13:40) | Patrick Willems
Consider your intent/commitment. Think about your favorite stories/characters from TV, movies, games, books, etc. Do you seek quality storytelling or encyclopedic Marvel knowledge? Plan to collect? How much time/resources are available i.e. how deep do you want to dive?
Don’t try to read everything—there’s too much. Forget about “catching up”, continuity, universes, and timelines; it's all very confusing, even to creators/fans. Older comics can be an acquired taste for modern audiences, so first appearances/early origins may not be the best starting points. Creative teams change often, characters get re-worked, and origins are re-told (e.g. I never cared for Hawkeye until Matt Fractions’ run).
Pick an interesting character/team and seek their “greatest hits”. Don’t get stuck “preparing”, just start reading. Focus on well-received, relatively self-contained, and complete stories. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary). Remember, there are so many other great characters/creators/publishers to explore, and not all comics are about superheroes.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Discover your preferences and let them guide you. Do you like: old/new comics? Specific genres? Literary/natural narratives? Cartoony/realistic art? Familiar/weird concepts? References/self-contained? Social/political commentary? Family-friendly/explicit content? Optimism/pessimism? Have you noticed that a specific artist/writer consistently makes comics you like? Follow these instincts.
Suggestions to improve this guide are welcome.
by Tigertemprr 2017-09-09
How to Get Into Comic Books (13:40) | Patrick Willems
Consider your intent/commitment. Think about your favorite stories/characters from TV, movies, games, books, etc. Do you seek quality storytelling or encyclopedic Marvel knowledge? Plan to collect? How much time/resources are available i.e. how deep do you want to dive?
Don’t try to read everything—there’s too much. Forget about “catching up”, continuity, universes, and timelines; it's all very confusing, even to creators/fans. Older comics can be an acquired taste for modern audiences, so first appearances/early origins may not be the best starting points. Creative teams change often, characters get re-worked, and origins are re-told (e.g. I never cared for Hawkeye until Matt Fractions’ run).
Pick an interesting character/team and seek their “greatest hits”. Don’t get stuck “preparing”, just start reading. Focus on well-received, relatively self-contained, and complete stories. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary). Remember, there are so many other great characters/creators/publishers to explore, and not all comics are about superheroes.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Discover your preferences and let them guide you. Do you like: old/new comics? Specific genres? Literary/natural narratives? Cartoony/realistic art? Familiar/weird concepts? References/self-contained? Social/political commentary? Family-friendly/explicit content? Optimism/pessimism? Have you noticed that a specific artist/writer consistently makes comics you like? Follow these instincts.
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/fans. The best way to jump in is to just start reading.
How much time do you have for comics? The answer determines how expansive recommendations are. Regardless, don’t try to read everything. First appearances & early origins are not always good starting points—older comics can be an acquired taste for modern audiences. Remember, there are so many other great characters/stories/publishers to explore (and not all comics are about superheroes).
Think about your favorite stories from other media. What you might like to read in a comic? Are you more interested in good storytelling or becoming a Marvel knowledge nerd?
Creative teams change often and characters get re-worked e.g. I never cared for Hawkeye until Matt Fraction’s run. Focus on well-received and relatively self-contained stories. Pick an interesting character/team and seek their “greatest hits”. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary).
Marvel Unlimited / Comixology for digital. instocktrades for physical (US). ISBNS for price aggregate.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Discover your preferences and let them inform your next comic selection. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
Suggestions to improve the list are welcome.
by Tigertemprr 2017-08-19
How to Get Into Comic Books (13:40) by Patrick Willems
Consider your intent/commitment. Think about stories/characters from TV, movies, games, etc. that you already like. Do you seek “good” storytelling or encyclopedic Marvel knowledge? Are you here to collect or read? How much time/resources are available?
Don’t try to read everything—there’s too much. Forget about continuity, universes, and timelines; it's all very confusing, even to creators/fans. Older comics can be an acquired taste for modern audiences, so first appearances/early origins may not be the best starting points. Creative teams change often, characters get re-worked, and origins are re-told (e.g. I never cared for Hawkeye until Matt Fractions’ run).
Pick an interesting character/team and seek their “greatest hits”. Focus on well-received, relatively self-contained, and complete stories. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary). Remember, there are so many other great characters and publishers to explore, and not all comics are about superheroes.
Marvel Unlimited / Comixology for digital. instocktrades for physical (US). ISBNS for price aggregate.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Discover your preferences and let them guide you. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, or creative team consistently produces content you like? Follow these instincts.
Suggestions to improve the guide are welcome.
by Tigertemprr 2017-08-19
This sounds like another case of comics analysis paralysis. Here's your prescription:
How to Get Into Comic Books (13:40) by Patrick Willems
Consider your intent/commitment. Think about stories/characters from TV, movies, games, etc. that you already like. Do you seek “good” storytelling or encyclopedic Marvel knowledge? Are you here to collect or read? How much time/resources are available?
Don’t try to read everything—there’s too much. Forget about continuity, universes, and timelines; it's all very confusing, even to creators/fans. Older comics can be an acquired taste for modern audiences, so first appearances/early origins may not be the best starting points. Creative teams change often, characters get re-worked, and origins are re-told (e.g. I never cared for Hawkeye until Matt Fractions’ run). You have already witnessed the paradox in a "starting point": the comicbookherald guide claims there was more important stuff before part 1, yet some would argue there was even more stuff before that worth reading; and on the recommendation chain goes until you're properly overwhelmed again. It's as good a guide as any, but try thinking of it as more of a reference than a strict reading order; more of a "web" of connected recommendations than a purely linear chronology.
Pick an interesting character/team and seek their “greatest hits”. Focus on well-received, relatively self-contained, and complete stories. As previously mentioned, the character/teams recommendation section below should be considered more of a "pick from these vetted titles" rather than "start at the top and work your way down". You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary). Remember, there are so many other great characters and publishers to explore, and not all comics are about superheroes.
Marvel Unlimited / Comixology for digital. instocktrades for physical (US). ISBNS for price aggregate.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Discover your preferences and let them guide you. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/fans. Don’t try to read everything, else you'll be wading through mediocrity for too long. There are so many other great comics (and publishers) to explore!
First appearances/origins aren’t always good starting points. Creative teams change often and characters get re-worked e.g. never caring about Hawkeye until Fraction & Aja’s interpretation. Focus on well-received and relatively self-contained series. Pick an interesting character or team and seek their “greatest hits” stories.
Marvel Unlimited for digital comics. instocktrades for physical retail (US).
Events/crossovers can be tedious. They sometimes intrude on your favorite character series and don’t feel as concise/well-planned. Generally, the best comics integrate these smoothly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to read them just to familiarize with major plot points.
Discover your preferences and let them inform your next comic selection. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
by Tigertemprr 2017-08-19
Please use the subreddit and Google search bars. This question gets asked a lot and the answers don't change much.
Anyway, here is my usual copy/paste response:
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/fans. Don’t try to read everything, else you'll be wading through mediocrity for too long. There are so many other great comics (and publishers) to explore!
First appearances/origins aren’t always good starting points. Creative teams change often and characters get re-worked e.g. never caring about Hawkeye until Fraction & Aja’s interpretation. Focus on well-received and relatively self-contained series. Pick an interesting character or team and seek their “greatest hits” stories.
Marvel Unlimited for digital comics. instocktrades for physical retail (US).
Events/crossovers can be tedious. They sometimes intrude on your favorite character series and don’t feel as concise/well-planned. Generally, the best comics integrate these smoothly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to read them just to familiarize with major plot points.
Discover your preferences and let them inform your next comic selection. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
by Tigertemprr 2017-08-19
Forget about continuity, universes, timelines, etc; it's all very confusing, even to veterans, and you'll be wading through mediocrity for too long. There are so many other great comics and publishers to explore!
First appearances/origins aren’t always good starting points. Creative teams change often and characters get re-worked e.g. never caring about Hawkeye until Fraction & Aja’s interpretation. Focus on well-received and relatively self-contained series. Pick an interesting character or team and seek their “greatest hits” stories.
Marvel Unlimited for digital comics. instocktrades for physical retail (US).
Events/crossovers can be tedious. They sometimes intrude on your favorite character series and don’t feel as concise/well-planned. Generally, the best comics integrate these smoothly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to read them just to familiarize with major plot points.
Modern (2004-2015) Marvel events/crossovers (in rough reading order):
Discover your preferences and let them inform your next comic selection. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
by Tigertemprr 2017-08-19
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/fans. Don’t try to read everything, else you'll be wading through mediocrity for too long. There are so many other great comics (and publishers) to explore!
First appearances/origins aren’t always good starting points. Creative teams change often and characters get re-worked e.g. never caring about Hawkeye until Fraction & Aja’s interpretation. Focus on well-received and relatively self-contained series. Pick an interesting character or team and seek their “greatest hits” stories.
Marvel Unlimited for digital comics. instocktrades for physical retail (US).
Events/crossovers can be tedious. They sometimes intrude on your favorite character series and don’t feel as concise/well-planned. Generally, the best comics integrate these smoothly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to read them just to familiarize with major plot points.
Discover your preferences and let them inform your next comic selection. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
How to Get Into Comic Books (13:40) | Patrick Willems
Consider your intent/commitment. Think about your favorite stories/characters from TV, movies, games, books, etc. Do you seek quality storytelling or encyclopedic Marvel knowledge? Plan to collect? What time/resources are available i.e. how many comics could/should be read before burning out?
Don’t try to read everything—there’s too much. Forget about “catching up”, continuity, universes, and timelines; it's all very confusing, even to creators/fans. Older comics can be an acquired taste for modern audiences, so first appearances/early origins may not be the best starting points. Creative teams change often, characters get re-worked, and origins are re-told (e.g. I never cared for Hawkeye until Matt Fractions’ run).
Pick an interesting character/team and seek their “greatest hits”. Don’t get stuck “preparing”, just start reading. Focus on well-received, relatively self-contained, and complete stories. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary). Remember, there are so many other great characters and publishers to explore, and not all comics are about superheroes.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Discover your preferences and let them guide you. Do you like: old/new comics? Specific genres? Literary/natural narratives? Cartoony/realistic art? Familiar/weird concepts? References/self-contained? Social/political commentary? Family-friendly/explicit content? Optimism/pessimism? Have you noticed that a specific artist/writer consistently makes comics you like? Follow these instincts.
Let me know if there any specific characters you're interested in.
by Tigertemprr 2017-08-19
How to Get Into Comic Books (13:40) | Patrick Willems
Consider your intent/commitment. Think about your favorite stories/characters from TV, movies, games, books, etc. Do you seek quality storytelling or encyclopedic Marvel knowledge? Plan to collect? What time/resources are available i.e. how many comics could/should be read before burning out?
Don’t try to read everything—there’s too much. Forget about “catching up”, continuity, universes, and timelines; it's all very confusing, even to creators/fans. Older comics can be an acquired taste for modern audiences, so first appearances/early origins may not be the best starting points. Creative teams change often, characters get re-worked, and origins are re-told (e.g. I never cared for Hawkeye until Matt Fractions’ run).
Pick an interesting character/team and seek their “greatest hits”. Don’t get stuck “preparing”, just start reading. Focus on well-received, relatively self-contained, and complete stories. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary). Remember, there are so many other great characters and publishers to explore, and not all comics are about superheroes.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Discover your preferences and let them guide you. Do you like: old/new comics? Specific genres? Literary/natural narratives? Cartoony/realistic art? Familiar/weird concepts? References/self-contained? Social/political commentary? Family-friendly/explicit content? Optimism/pessimism? Have you noticed that a specific artist/writer consistently makes comics you like? Follow these instincts.
MARVEL
How to Get Into Comic Books (13:40) | Patrick Willems
Consider your intent/commitment. Think about stories/characters from TV, movies, games, etc. that you already like. Do you seek “good” storytelling or encyclopedic Marvel knowledge? Are you here to collect or read? How much time/resources are available?
Don’t try to read everything—there’s too much. Forget about continuity, universes, and timelines; it's all very confusing, even to creators/fans. Older comics can be an acquired taste for modern audiences, so first appearances/early origins may not be the best starting points. Creative teams change often, characters get re-worked, and origins are re-told (e.g. I never cared for Hawkeye until Matt Fractions’ run).
Pick an interesting character/team and seek their “greatest hits”. Focus on well-received, relatively self-contained, and complete stories. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary). Remember, there are so many other great characters and publishers to explore, and not all comics are about superheroes.
Where to buy (US):
Recommendations:
Modern Marvel characters/teams:
/r/Marvel sidebar.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Modern Marvel events/crossovers:
Discover your preferences and let them guide you. Do you like: old/new comics? Specific genres? Literary/natural narratives? Cartoony/realistic art? Familiar/weird concepts? References/self-contained? Social/political commentary? Family-friendly/explicit content? Optimism/pessimism? Have you noticed that a specific artist/writer consistently makes comics you like? Follow these instincts.
DC
Modern DC characters/teams:
Alternatively, you can skip to the recent Rebirth re-launch by reading the DC Universe: Rebirth #1 event and then any Rebirth series #1. /r/DCcomics sidebar.
Modern DC events/crossovers:
NON-DC/MARVEL
How to Get Into Comic Books (13:40) | Patrick Willems
Consider your intent/commitment. Think about your favorite stories/characters from TV, movies, games, books, etc. Do you seek quality storytelling or encyclopedic Marvel knowledge? Plan to collect? How much time/resources are available i.e. how deep do you want to dive?
Don’t try to read everything—there’s too much. Forget about “catching up”, continuity, universes, and timelines; it's all very confusing, even to creators/fans. Older comics can be an acquired taste for modern audiences, so first appearances/early origins may not be the best starting points. Creative teams change often, characters get re-worked, and origins are re-told (e.g. I never cared for Hawkeye until Matt Fractions’ run).
Pick an interesting character/team and seek their “greatest hits”. Don’t get stuck “preparing”, just start reading. Focus on well-received, relatively self-contained, and complete stories. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary). Remember, there are so many other great characters/creators/publishers to explore, and not all comics are about superheroes.
Where to buy (US):
Modern Marvel characters/teams:
/r/Marvel sidebar for more info.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Modern Marvel events/crossovers:
Discover your preferences and let them guide you. Do you like: old/new comics? Specific genres? Literary/natural narratives? Cartoony/realistic art? Familiar/weird concepts? References/self-contained? Social/political commentary? Family-friendly/explicit content? Optimism/pessimism? Have you noticed that a specific artist/writer consistently makes comics you like? Follow these instincts.
Suggestions to improve this guide are welcome.
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/fans. Don’t try to read everything, else you'll be wading through mediocrity for too long. There are so many other great comics (and publishers) to explore!
First appearances/origins aren’t always good starting points. Creative teams change often and characters get re-worked e.g. never caring about Hawkeye until Fraction & Aja’s interpretation. Focus on well-received and relatively self-contained series. Pick an interesting character or team and seek their “greatest hits” stories.
Marvel Unlimited / Comixology for digital comics. instocktrades for physical retail (US).
Modern Marvel characters/teams:
Events/crossovers can be tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major continuity changes.
Modern Marvel events/crossovers:
Discover your preferences and let them inform your next comic selection. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
How to Get Into Comic Books (13:40) | Patrick Willems
Consider your intent/commitment. Think about your favorite stories/characters from TV, movies, games, books, etc. Do you seek quality storytelling or encyclopedic Marvel knowledge? Plan to collect? How much time/resources are available i.e. how deep do you want to dive?
Don’t try to read everything—there’s too much. Forget about “catching up”, continuity, universes, and timelines; it's all very confusing, even to creators/fans. Older comics can be an acquired taste for modern audiences, so first appearances/early origins may not be the best starting points. Creative teams change often, characters get re-worked, and origins are re-told (e.g. I never cared for Hawkeye until Matt Fractions’ run).
Pick an interesting character/team and seek their “greatest hits”. Don’t get stuck “preparing”, just start reading. Focus on well-received, relatively self-contained, and complete stories. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary). Remember, there are so many other great characters/creators/publishers to explore, and not all comics are about superheroes.
Where to buy (US):
Modern Marvel characters/teams:
/r/Marvel sidebar for more info.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Modern Marvel events/crossovers:
Discover your preferences and let them guide you. Do you like: old/new comics? Specific genres? Literary/natural narratives? Cartoony/realistic art? Familiar/weird concepts? References/self-contained? Social/political commentary? Family-friendly/explicit content? Optimism/pessimism? Have you noticed that a specific artist/writer consistently makes comics you like? Follow these instincts.
Suggestions to improve this guide are welcome.
How to Get Into Comic Books (13:40) | Patrick Willems
Consider your intent/commitment. Think about your favorite stories/characters from TV, movies, games, books, etc. Do you seek quality storytelling or encyclopedic Marvel knowledge? Plan to collect? How much time/resources are available i.e. how deep do you want to dive?
Don’t try to read everything—there’s too much. Forget about “catching up”, continuity, universes, and timelines; it's all very confusing, even to creators/fans. Older comics can be an acquired taste for modern audiences, so first appearances/early origins may not be the best starting points. Creative teams change often, characters get re-worked, and origins are re-told (e.g. I never cared for Hawkeye until Matt Fractions’ run).
Pick an interesting character/team and seek their “greatest hits”. Don’t get stuck “preparing”, just start reading. Focus on well-received, relatively self-contained, and complete stories. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary). Remember, there are so many other great characters/creators/publishers to explore, and not all comics are about superheroes.
Where to buy (US):
X-Men
Modern Marvel characters/teams:
/r/Marvel sidebar for more info.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Modern Marvel events/crossovers:
Discover your preferences and let them guide you. Do you like: old/new comics? Specific genres? Literary/natural narratives? Cartoony/realistic art? Familiar/weird concepts? References/self-contained? Social/political commentary? Family-friendly/explicit content? Optimism/pessimism? Have you noticed that a specific artist/writer consistently makes comics you like? Follow these instincts.
Suggestions to improve this guide are welcome.
Modern Marvel characters/teams
Modern Marvel events/crossovers
Modern DC characters/teams
DC Rebirth recent survey results.
Modern DC events/crossovers
DC imprints
Other publishers
If you provided examples of what you think is "great art" it'd be easier to recommend similar styles.
Let me know which characters interest you most.
Modern Marvel characters/teams:
Modern Marvel events/crossovers:
Siege, not sure which issue.
Here's the link if you wanna get it on amazon: https://toptalkedbooks.com/amzn/0785140794
Marvel Database link:
http://marvel.wikia.com/wiki/Siege_of_Asgard
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/fans. The best way to jump in is to just start reading.
How much time do you have for comics? The answer determines how expansive recommendations are. Regardless, don’t try to read everything. First appearances & early origins are not always good starting points—older comics can be an acquired taste for modern audiences. Remember, there are so many other great characters/stories/publishers to explore (and not all comics are about superheroes).
Think about your favorite stories from other media. What you might like to read in a comic? Are you more interested in good storytelling or becoming a Marvel knowledge nerd?
Creative teams change often and characters get re-worked e.g. I never cared for Hawkeye until Matt Fraction’s run. Focus on well-received and relatively self-contained stories. Pick an interesting character/team and seek their “greatest hits”. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary).
Marvel Unlimited / Comixology for digital. instocktrades for physical (US). ISBNS for price aggregate.
Modern Marvel characters/teams:
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Modern Marvel events/crossovers:
Discover your preferences and let them inform your next comic selection. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
Suggestions to improve the list are welcome.
How to Get Into Comic Books (13:40) by Patrick Willems
Consider your intent/commitment. Think about stories/characters from TV, movies, games, etc. that you already like. Do you seek “good” storytelling or encyclopedic Marvel knowledge? Are you here to collect or read? How much time/resources are available?
Don’t try to read everything—there’s too much. Forget about continuity, universes, and timelines; it's all very confusing, even to creators/fans. Older comics can be an acquired taste for modern audiences, so first appearances/early origins may not be the best starting points. Creative teams change often, characters get re-worked, and origins are re-told (e.g. I never cared for Hawkeye until Matt Fractions’ run).
Pick an interesting character/team and seek their “greatest hits”. Focus on well-received, relatively self-contained, and complete stories. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary). Remember, there are so many other great characters and publishers to explore, and not all comics are about superheroes.
Marvel Unlimited / Comixology for digital. instocktrades for physical (US). ISBNS for price aggregate.
Recommendations:
Modern Marvel characters/teams:
Check out the /r/Marvel sidebar for more.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Modern Marvel events/crossovers:
Discover your preferences and let them guide you. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, or creative team consistently produces content you like? Follow these instincts.
Suggestions to improve the guide are welcome.
This sounds like another case of comics analysis paralysis. Here's your prescription:
How to Get Into Comic Books (13:40) by Patrick Willems
Consider your intent/commitment. Think about stories/characters from TV, movies, games, etc. that you already like. Do you seek “good” storytelling or encyclopedic Marvel knowledge? Are you here to collect or read? How much time/resources are available?
Don’t try to read everything—there’s too much. Forget about continuity, universes, and timelines; it's all very confusing, even to creators/fans. Older comics can be an acquired taste for modern audiences, so first appearances/early origins may not be the best starting points. Creative teams change often, characters get re-worked, and origins are re-told (e.g. I never cared for Hawkeye until Matt Fractions’ run). You have already witnessed the paradox in a "starting point": the comicbookherald guide claims there was more important stuff before part 1, yet some would argue there was even more stuff before that worth reading; and on the recommendation chain goes until you're properly overwhelmed again. It's as good a guide as any, but try thinking of it as more of a reference than a strict reading order; more of a "web" of connected recommendations than a purely linear chronology.
Pick an interesting character/team and seek their “greatest hits”. Focus on well-received, relatively self-contained, and complete stories. As previously mentioned, the character/teams recommendation section below should be considered more of a "pick from these vetted titles" rather than "start at the top and work your way down". You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary). Remember, there are so many other great characters and publishers to explore, and not all comics are about superheroes.
Marvel Unlimited / Comixology for digital. instocktrades for physical (US). ISBNS for price aggregate.
Recommendations:
Modern Marvel characters/teams:
Check out the /r/Marvel sidebar for more.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Modern Marvel events/crossovers:
Discover your preferences and let them guide you. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
Suggestions to improve the guide are welcome.
Modern Marvel characters/teams:
Modern Marvel events/crossovers:
Modern Marvel characters/teams:
Modern Marvel events/crossovers:
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/fans. Don’t try to read everything, else you'll be wading through mediocrity for too long. There are so many other great comics (and publishers) to explore!
First appearances/origins aren’t always good starting points. Creative teams change often and characters get re-worked e.g. never caring about Hawkeye until Fraction & Aja’s interpretation. Focus on well-received and relatively self-contained series. Pick an interesting character or team and seek their “greatest hits” stories.
Marvel Unlimited for digital comics. instocktrades for physical retail (US).
Modern Marvel characters/teams:
Events/crossovers can be tedious. They sometimes intrude on your favorite character series and don’t feel as concise/well-planned. Generally, the best comics integrate these smoothly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to read them just to familiarize with major plot points.
Modern Marvel events/crossovers:
Discover your preferences and let them inform your next comic selection. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
Please use the subreddit and Google search bars. This question gets asked a lot and the answers don't change much.
Anyway, here is my usual copy/paste response:
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/fans. Don’t try to read everything, else you'll be wading through mediocrity for too long. There are so many other great comics (and publishers) to explore!
First appearances/origins aren’t always good starting points. Creative teams change often and characters get re-worked e.g. never caring about Hawkeye until Fraction & Aja’s interpretation. Focus on well-received and relatively self-contained series. Pick an interesting character or team and seek their “greatest hits” stories.
Marvel Unlimited for digital comics. instocktrades for physical retail (US).
Modern Marvel characters/teams:
Events/crossovers can be tedious. They sometimes intrude on your favorite character series and don’t feel as concise/well-planned. Generally, the best comics integrate these smoothly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to read them just to familiarize with major plot points.
Modern Marvel events/crossovers:
Discover your preferences and let them inform your next comic selection. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
Forget about continuity, universes, timelines, etc; it's all very confusing, even to veterans, and you'll be wading through mediocrity for too long. There are so many other great comics and publishers to explore!
First appearances/origins aren’t always good starting points. Creative teams change often and characters get re-worked e.g. never caring about Hawkeye until Fraction & Aja’s interpretation. Focus on well-received and relatively self-contained series. Pick an interesting character or team and seek their “greatest hits” stories.
Marvel Unlimited for digital comics. instocktrades for physical retail (US).
Modern (2000's+) Marvel characters/teams:
Events/crossovers can be tedious. They sometimes intrude on your favorite character series and don’t feel as concise/well-planned. Generally, the best comics integrate these smoothly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to read them just to familiarize with major plot points.
Modern (2004-2015) Marvel events/crossovers (in rough reading order):
Discover your preferences and let them inform your next comic selection. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/fans. Don’t try to read everything, else you'll be wading through mediocrity for too long. There are so many other great comics (and publishers) to explore!
First appearances/origins aren’t always good starting points. Creative teams change often and characters get re-worked e.g. never caring about Hawkeye until Fraction & Aja’s interpretation. Focus on well-received and relatively self-contained series. Pick an interesting character or team and seek their “greatest hits” stories.
Marvel Unlimited for digital comics. instocktrades for physical retail (US).
Modern Marvel characters/teams:
Events/crossovers can be tedious. They sometimes intrude on your favorite character series and don’t feel as concise/well-planned. Generally, the best comics integrate these smoothly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to read them just to familiarize with major plot points.
Modern Marvel events/crossovers:
Discover your preferences and let them inform your next comic selection. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
Modern DC characters/teams:
How to Get Into Comic Books (13:40) | Patrick Willems
Consider your intent/commitment. Think about your favorite stories/characters from TV, movies, games, books, etc. Do you seek quality storytelling or encyclopedic Marvel knowledge? Plan to collect? What time/resources are available i.e. how many comics could/should be read before burning out?
Don’t try to read everything—there’s too much. Forget about “catching up”, continuity, universes, and timelines; it's all very confusing, even to creators/fans. Older comics can be an acquired taste for modern audiences, so first appearances/early origins may not be the best starting points. Creative teams change often, characters get re-worked, and origins are re-told (e.g. I never cared for Hawkeye until Matt Fractions’ run).
Pick an interesting character/team and seek their “greatest hits”. Don’t get stuck “preparing”, just start reading. Focus on well-received, relatively self-contained, and complete stories. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary). Remember, there are so many other great characters and publishers to explore, and not all comics are about superheroes.
Where to buy (US):
Recommendations:
Modern Marvel characters/teams:
Check out the /r/Marvel sidebar for more.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Modern Marvel events/crossovers:
Discover your preferences and let them guide you. Do you like: old/new comics? Specific genres? Literary/natural narratives? Cartoony/realistic art? Familiar/weird concepts? References/self-contained? Social/political commentary? Family-friendly/explicit content? Optimism/pessimism? Have you noticed that a specific artist/writer consistently makes comics you like? Follow these instincts.
Suggestions to improve this guide are welcome.
Modern Marvel characters/teams:
Modern Marvel events/crossovers:
Let me know if there any specific characters you're interested in.
How to Get Into Comic Books (13:40) | Patrick Willems
Consider your intent/commitment. Think about your favorite stories/characters from TV, movies, games, books, etc. Do you seek quality storytelling or encyclopedic Marvel knowledge? Plan to collect? What time/resources are available i.e. how many comics could/should be read before burning out?
Don’t try to read everything—there’s too much. Forget about “catching up”, continuity, universes, and timelines; it's all very confusing, even to creators/fans. Older comics can be an acquired taste for modern audiences, so first appearances/early origins may not be the best starting points. Creative teams change often, characters get re-worked, and origins are re-told (e.g. I never cared for Hawkeye until Matt Fractions’ run).
Pick an interesting character/team and seek their “greatest hits”. Don’t get stuck “preparing”, just start reading. Focus on well-received, relatively self-contained, and complete stories. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary). Remember, there are so many other great characters and publishers to explore, and not all comics are about superheroes.
Where to buy (US):
Recommendations:
Modern Marvel characters/teams:
Check out the /r/Marvel sidebar for more.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Modern Marvel events/crossovers:
Discover your preferences and let them guide you. Do you like: old/new comics? Specific genres? Literary/natural narratives? Cartoony/realistic art? Familiar/weird concepts? References/self-contained? Social/political commentary? Family-friendly/explicit content? Optimism/pessimism? Have you noticed that a specific artist/writer consistently makes comics you like? Follow these instincts.
Suggestions to improve this guide are welcome.