Captain Marvel Volume 1: Higher, Further, Faster, More
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First, thanks so much for putting effort into your request for recommendations post. Providing preferences and ratings like that really helps.
> Im a fairly new comic reader
> Batman: Hush 9/10
> The Dark Knight Returns 4/10
Everything checks out here, lol. Obviously, everyone has different tastes, but I think you'd be surprised how often these scores swap after new readers revisit these stories years later.
Even if you didn't like Miller's DKR, you should still try his Batman: Year One.
On to recommendations:
Marvel
DC
Or skip to the 2016 re-launch DC Universe: Rebirth event and then any Rebirth series #1.
Other
Or any of the Valiant 2012 superhero universe reboot comics like Bloodshot, X-O Manowar, or:
Introduction to Comics
How to Get Into Comic Books (13:40) | Patrick Willems
Consider your intent/commitment. Think about your favorite shows, movies, books, etc. Reading primarily for enjoyment or encyclopedic knowledge? Collecting? Have the time/resources to read 50 or 500 comics per character?
Don’t try to read everything at once. There’s too much. Forget about catching up, continuity, universes, etc. for now. Older comics can be an acquired taste for modern audiences, so they aren’t necessarily ideal starting points. Writers change often, characters get re-worked, and origins are re-told. Remember, there are many great characters, creators, publishers, etc. to explore.
Pick an interesting character/team and seek their most popular/acclaimed stories. Focus on self-contained, complete stories in one corner of the universe. There will be unexplained references/characters, just persevere or Wiki. Don’t let the tangled web of shared-universe comics overwhelm you. Think of it like solving a jigsaw puzzle one small piece at a time until you finally see the big picture.
Discover your preferences and let them guide you. Don’t get stuck preparing/over-analyzing, just start reading. Do you like/dislike old/new comics? Specific writers/genres? Cartoony/realistic art? Familiar/weird concepts? References/self-contained? All-ages/mature content? Follow these instincts. Didn’t understand a reference? Maybe read that next.
Acquire/Buy comics:
Marvel
DC
Or skip to the 2016 re-launch DC Universe: Rebirth event and then any Rebirth series #1.
Other
Marvel
DC
Or skip to the 2016 re-launch DC Universe: Rebirth event and then any Rebirth series #1.
Introduction to Comics
How to Get Into Comic Books (13:40) | Patrick Willems
Consider your intent/commitment. Think about your favorite shows, movies, books, etc. Reading primarily for enjoyment or encyclopedic knowledge? Collecting? Have the time/resources to read 50 or 500 comics per character?
Don’t try to read everything at once. There’s too much. Forget about catching up, continuity, universes, etc. for now. Older comics can be an acquired taste for modern audiences, so they aren’t necessarily ideal starting points. Writers change often, characters get re-worked, and origins are re-told. Remember, there are many great characters, creators, publishers, etc. to explore.
Pick an interesting character/team and seek their most popular/acclaimed stories. Focus on self-contained, complete stories in one corner of the universe. There will be unexplained references/characters, just persevere or Wiki. Don’t let the tangled web of shared-universe comics overwhelm you. Think of it like solving a jigsaw puzzle one small piece at a time until you finally see the big picture.
Discover your preferences and let them guide you. Don’t get stuck preparing/over-analyzing, just start reading. Do you like/dislike old/new comics? Specific writers/genres? Cartoony/realistic art? Familiar/weird concepts? References/self-contained? All-ages/mature content? Follow these instincts. Didn’t understand a reference? Maybe read that next.
Acquire/Buy comics:
Marvel
DC
Or skip to the 2016 re-launch DC Universe: Rebirth event and then any Rebirth series #1.
Other
Introduction to Comics
How to Get Into Comic Books (13:40) | Patrick Willems
Consider your intent/commitment. Think about your favorite shows, movies, books, etc. Reading primarily for enjoyment or encyclopedic knowledge? Collecting? Have the time/resources to read 50 or 500 comics per character?
Don’t try to read everything at once. There’s too much. Forget about catching up, continuity, universes, etc. for now. Older comics can be an acquired taste for modern audiences, so they aren’t necessarily ideal starting points. Writers change often, characters get re-worked, and origins are re-told. Remember, there are many great characters, creators, publishers, etc. to explore.
Pick an interesting character/team and seek their most popular/acclaimed stories. Focus on self-contained, complete stories in one corner of the universe. There will be unexplained references/characters, just persevere or Wiki. Don’t let the tangled web of shared-universe comics overwhelm you. Think of it like solving a jigsaw puzzle one small piece at a time until you finally see the big picture.
Discover your preferences and let them guide you. Don’t get stuck preparing/over-analyzing, just start reading. Do you like/dislike old/new comics? Specific writers/genres? Cartoony/realistic art? Familiar/weird concepts? References/self-contained? All-ages/mature content? Follow these instincts. Didn’t understand a reference? Maybe read that next.
Acquire/Buy comics:
Marvel
DC
Or skip to the 2016 re-launch DC Universe: Rebirth event and then any Rebirth series #1.
Other
Introduction to Comics
How to Get Into Comic Books (13:40) | Patrick Willems
Consider your intent/commitment. Think about your favorite shows, movies, books, etc. Reading primarily for enjoyment or encyclopedic knowledge? Collecting? Have the time/resources to read 50 or 500 comics per character?
Don’t try to read everything at once. There’s too much. Forget about catching up, continuity, universes, etc. for now. Older comics can be an acquired taste for modern audiences, so they aren’t necessarily ideal starting points. Writers change often, characters get re-worked, and origins are re-told. Remember, there are many great characters, creators, publishers, etc. to explore.
Pick an interesting character/team and seek their most popular/acclaimed stories. Focus on self-contained, complete stories in one corner of the universe. There will be unexplained references/characters, just persevere or Wiki. Don’t let the tangled web of shared-universe comics overwhelm you. Think of it like solving a jigsaw puzzle one small piece at a time until you finally see the big picture.
Discover your preferences and let them guide you. Don’t get stuck preparing/over-analyzing, just start reading. Do you like/dislike old/new comics? Specific writers/genres? Cartoony/realistic art? Familiar/weird concepts? References/self-contained? All-ages/mature content? Follow these instincts. Didn’t understand a reference? Maybe read that next.
Acquire/Buy comics:
Marvel
DC
Or skip to the 2016 re-launch DC Universe: Rebirth event and then any Rebirth series #1.
So, based on the tag line, are we looking at a Kelly Sue Deconnick influenced story line? Higher, Further, Faster
It's a Captain Marvel thing.
I liked this arc a lot: https://toptalkedbooks.com/amzn/0785190139
Forget about continuity, universes, timelines, etc; it's all very confusing, even to veterans, and you'll be wading through mediocrity for too long. There are so many other great comics and publishers to explore!
First appearances/origins aren’t always good starting points. Creative teams change often and characters get re-worked e.g. never caring about Hawkeye until Fraction & Aja’s interpretation. Focus on well-received and relatively self-contained series. Pick an interesting character or team and seek their “greatest hits” stories.
Marvel Unlimited for digital comics. instocktrades for physical retail (US).
Modern (2000's+) Marvel characters/teams:
Events/crossovers can be tedious. They sometimes intrude on your favorite character series and don’t feel as concise/well-planned. Generally, the best comics integrate these smoothly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to read them just to familiarize with major plot points.
Modern (2004-2015) Marvel events/crossovers (in rough reading order):
Discover your preferences and let them inform your next comic selection. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
How to Get Into Comic Books (13:40) by Patrick Willems
Consider your intent/commitment. Think about stories/characters from TV, movies, games, etc. that you already like. Do you seek “good” storytelling or encyclopedic Marvel knowledge? Are you here to collect or read? How much time/resources are available?
Don’t try to read everything—there’s too much. Forget about continuity, universes, and timelines; it's all very confusing, even to creators/fans. Older comics can be an acquired taste for modern audiences, so first appearances/early origins may not be the best starting points. Creative teams change often, characters get re-worked, and origins are re-told (e.g. I never cared for Hawkeye until Matt Fractions’ run).
Pick an interesting character/team and seek their “greatest hits”. Focus on well-received, relatively self-contained, and complete stories. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary). Remember, there are so many other great characters and publishers to explore, and not all comics are about superheroes.
Marvel Unlimited / Comixology for digital. instocktrades for physical (US). ISBNS for price aggregate.
Recommendations:
Modern Marvel characters/teams:
Check out the /r/Marvel sidebar for more.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Modern Marvel events/crossovers:
Discover your preferences and let them guide you. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, or creative team consistently produces content you like? Follow these instincts.
Suggestions to improve the guide are welcome.
How to Get Into Comic Books (13:40) | Patrick Willems
Consider your intent/commitment. Think about your favorite stories/characters from TV, movies, games, books, etc. Do you seek quality storytelling or encyclopedic Marvel knowledge? Plan to collect? How much time/resources are available i.e. how deep do you want to dive?
Don’t try to read everything—there’s too much. Forget about “catching up”, continuity, universes, and timelines; it's all very confusing, even to creators/fans. Older comics can be an acquired taste for modern audiences, so first appearances/early origins may not be the best starting points. Creative teams change often, characters get re-worked, and origins are re-told (e.g. I never cared for Hawkeye until Matt Fractions’ run).
Pick an interesting character/team and seek their “greatest hits”. Don’t get stuck “preparing”, just start reading. Focus on well-received, relatively self-contained, and complete stories. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary). Remember, there are so many other great characters/creators/publishers to explore, and not all comics are about superheroes.
Where to buy (US):
Modern Marvel characters/teams:
/r/Marvel sidebar for more info.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Modern Marvel events/crossovers:
Discover your preferences and let them guide you. Do you like: old/new comics? Specific genres? Literary/natural narratives? Cartoony/realistic art? Familiar/weird concepts? References/self-contained? Social/political commentary? Family-friendly/explicit content? Optimism/pessimism? Have you noticed that a specific artist/writer consistently makes comics you like? Follow these instincts.
Suggestions to improve this guide are welcome.
How to Get Into Comic Books (13:40) | Patrick Willems
Consider your intent/commitment. Think about your favorite stories/characters from TV, movies, games, books, etc. Do you seek quality storytelling or encyclopedic Marvel knowledge? Plan to collect? How much time/resources are available i.e. how deep do you want to dive?
Don’t try to read everything—there’s too much. Forget about “catching up”, continuity, universes, and timelines; it's all very confusing, even to creators/fans. Older comics can be an acquired taste for modern audiences, so first appearances/early origins may not be the best starting points. Creative teams change often, characters get re-worked, and origins are re-told (e.g. I never cared for Hawkeye until Matt Fractions’ run).
Pick an interesting character/team and seek their “greatest hits”. Don’t get stuck “preparing”, just start reading. Focus on well-received, relatively self-contained, and complete stories. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary). Remember, there are so many other great characters/creators/publishers to explore, and not all comics are about superheroes.
Where to buy (US):
Modern Marvel characters/teams:
/r/Marvel sidebar for more info.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Modern Marvel events/crossovers:
Discover your preferences and let them guide you. Do you like: old/new comics? Specific genres? Literary/natural narratives? Cartoony/realistic art? Familiar/weird concepts? References/self-contained? Social/political commentary? Family-friendly/explicit content? Optimism/pessimism? Have you noticed that a specific artist/writer consistently makes comics you like? Follow these instincts.
Suggestions to improve this guide are welcome.
How to Get Into Comic Books (13:40) | Patrick Willems
Consider your intent/commitment. Think about your favorite stories/characters from TV, movies, games, books, etc. Do you seek quality storytelling or encyclopedic Marvel knowledge? Plan to collect? How much time/resources are available i.e. how deep do you want to dive?
Don’t try to read everything—there’s too much. Forget about “catching up”, continuity, universes, and timelines; it's all very confusing, even to creators/fans. Older comics can be an acquired taste for modern audiences, so first appearances/early origins may not be the best starting points. Creative teams change often, characters get re-worked, and origins are re-told (e.g. I never cared for Hawkeye until Matt Fractions’ run).
Pick an interesting character/team and seek their “greatest hits”. Don’t get stuck “preparing”, just start reading. Focus on well-received, relatively self-contained, and complete stories. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary). Remember, there are so many other great characters/creators/publishers to explore, and not all comics are about superheroes.
Where to buy (US):
Modern Marvel characters/teams:
/r/Marvel sidebar for more info.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Modern Marvel events/crossovers:
Discover your preferences and let them guide you. Do you like: old/new comics? Specific genres? Literary/natural narratives? Cartoony/realistic art? Familiar/weird concepts? References/self-contained? Social/political commentary? Family-friendly/explicit content? Optimism/pessimism? Have you noticed that a specific artist/writer consistently makes comics you like? Follow these instincts.
Suggestions to improve this guide are welcome.
How to Get Into Comic Books (13:40) | Patrick Willems
Acquiring comics (US):
Modern Marvel (1994+)
Modern DC (1987+)
You can skip to the DC Universe: Rebirth event and read any Rebirth series #1.
DC imprint:
Criteria:
NOTE: Ratings = IRL reading group averages, subjective, rounded, in flux, and require 2+ opinions. " - " = unrated.
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/fans. Don’t try to read everything, else you'll be wading through decades of mediocre comics for far too long. Remember, there are so many other great characters/stories/publishers to explore.
First appearances/origins are not always good starting points. Creative teams change often and characters get re-worked e.g. I never cared for Hawkeye until Fraction & Aja’s interpretation. Focus on well-received and relatively self-contained stories. Pick an interesting character/team and seek their “greatest hits” stories. You may encounter the occasional unexplained reference/character, just try to ride along.
Marvel Unlimited / Comixology for digital. instocktrades for physical (US). ISBNS for price aggregate.
Modern Marvel characters/teams:
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Modern Marvel events/crossovers:
Discover your preferences and let them inform your next comic selection. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
Suggestions to improve the list are welcome.
> Im a type of person that would not like to skip anything or just jump into a point that is in the middle or something even if it is a "jumping off" point, but I'm also the type of person that doesn't want to be dragged down with all the old comics and things like that.
You are inevitably going to skip something by starting anywhere—nobody is instantly omniscient (obviously). Keep this in mind when getting into superhero comics. Are you trying to read "good" stories or become a Marvel continuity expert (not necessarily mutually exclusive)?
My copy/pasta for new readers:
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/fans. Don’t try to read everything, else you'll be wading through decades of mediocre comics for far too long. Remember, there are so many other great characters/stories/publishers to explore.
First appearances/origins are not always good starting points. Creative teams change often and characters get re-worked e.g. I never cared for Hawkeye until Fraction & Aja’s interpretation. Focus on well-received and relatively self-contained stories. Pick an interesting character or team and seek their “greatest hits” stories. You may encounter the occasional unexplained reference/character, but just try to ride along or Wiki if you must.
Marvel Unlimited / Comixology for digital. instocktrades for physical (US). ISBNS for price aggregate.
Modern Marvel characters/teams:
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Modern Marvel events/crossovers:
Discover your preferences and let them inform your next comic selection. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
Suggestions to improve the list are welcome.
Modern Marvel characters/teams:
Modern Marvel events/crossovers:
Check out the /r/Marvel sidebar for more.
How to Get Into Comic Books (13:40) by Patrick Willems
Consider your intent/commitment. Think about stories/characters from TV, movies, games, etc. that you already like. Do you seek “good” storytelling or encyclopedic Marvel knowledge? Are you here to collect or read? How much time/resources are available?
Don’t try to read everything—there’s too much. Forget about continuity, universes, and timelines; it's all very confusing, even to creators/fans. Older comics can be an acquired taste for modern audiences, so first appearances/early origins may not be the best starting points. Creative teams change often, characters get re-worked, and origins are re-told (e.g. I never cared for Hawkeye until Matt Fractions’ run).
Pick an interesting character/team and seek their “greatest hits”. Focus on well-received, relatively self-contained, and complete stories. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary). Remember, there are so many other great characters and publishers to explore, and not all comics are about superheroes.
Marvel Unlimited / Comixology for digital. instocktrades for physical (US). ISBNS for price aggregate.
Recommendations:
Modern Marvel characters/teams:
Check out the /r/Marvel sidebar for more.
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Modern Marvel events/crossovers:
Discover your preferences and let them guide you. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, or creative team consistently produces content you like? Follow these instincts.
Suggestions to improve the guide are welcome.
Are you already familiar/tolerant/appreciative of 1960's comic writing/art?
Personally, I just wiki anything important from the older stuff and read modern runs. Kurt Busiek's Avengers (1998) might be a better starting point.
Here's what I usually suggest to newer readers:
Forget about continuity, universes, timelines, etc; it's all very confusing, even to creators/fans. The best way to jump in is to just start reading. Check out the /r/Marvel sidebar.
How much time do you have for comics? The answer determines how extensive recommendations are. Regardless, don’t try to read everything. First appearances & early origins are not always good starting points—older comics can be an acquired taste for modern audiences. Remember, there are so many other great characters/stories/publishers to explore (and not all comics are about superheroes).
Think about your favorite stories from other media. What you might like to read in a comic? Are you more interested in good storytelling or becoming a Marvel knowledge nerd?
Creative teams change often and characters get re-worked e.g. I never cared for Hawkeye until Matt Fraction’s run. Focus on well-received and relatively self-contained stories. Pick an interesting character/team and seek their “greatest hits”. You may encounter the occasional unexplained reference/character/event—just ride along (Wiki if necessary).
Marvel Unlimited / Comixology for digital. instocktrades for physical (US). ISBNS for price aggregate.
Modern Marvel characters/teams:
Events/crossovers can be fun and/or tedious. They are most appreciated by readers well-versed in relevant continuity. Generally, the best non-event comics integrate these seamlessly or avoid them entirely (notwithstanding editorial/executive mandates). Regardless, you may want to familiarize with major plot points.
Modern Marvel events/crossovers:
Discover your preferences and let them inform your next comic selection. Do you like older/newer comics? Weird concepts? Super-smart meta-analysis and social commentary? Family-friendly content? Hyper-violence? Male/female protagonists? Humor? Horror? Have you noticed that a specific artist, writer, and/or creative team consistently produces content you like? Follow these instincts.
Suggestions to improve the list are welcome.